Houedard continues to write/type to Cincola 3 about corrections to be made for catalog.His corrections are marked out in green ink through out the page -- Source of annotation: Marvin or Ruth Sackner.

Houedard continues to write/type to Cincola 3 about corrections to be made for catalog.His corrections are marked out in green ink through out the page -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes/types to Cincola 3 some comments about the illustrations for the catalog. He states "that all 10 have been selected from work done in the brief period of 17 days from 23 jan to 8 feb 1971 i have numbered the 10 illustrations in chronological sequence." Houedard also requests Cinicola to send the illustrations to John Cage. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes/types to Cincola 3 "additional note by me to go on p.70." -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes/types to Cincola 3 "this is a lowercase abc i developed fr" m the ROBIN FARQUHARSON caps - you cld use this on cover? inside? Houedard then types an alphabet of upper case adn describes it as "the original caps abc by robin - he uses brackets too - i kept to slash &-dash." At the page bottom are examples of twon typed a's described by dsh as "infinely variable in size & weight" -- Source of annotation: Marvin or Ruth Sackner.

This box consiksts of a text is by Hans Hofmann. -- Source of annotation: Marvin or Ruth Sackner.

Provides pictures and comments of selected artist magazines as complete runs. Those held in part or in total by the Sackner Archive include the following: 0 to 9, Art For UM, Artpolice, Control Magazine, Culture Hero, Decollage, Diagonal Cero, File, Vile, Gesammelte Werke, KWY, Mela, Revue Nul=0, Revue Integration, Spur. -- Source of annotation: Marvin or Ruth Sackner.

This work is a radical change in visual imagery for Zellen, i.e., drawings rather than photographs but she still retains lettering in the work albeit now hand drawn in contrast to formal computer type lettering. The works that comprise Jody Zellen's works on paper from "Of a Lost Utopia," a gallery show at paul kopeikin gallery los angeles, are poetic meditations on the fragmented way she reads, retains and responds to the daily newspaper, using both old and new technologies. -- Source of annotation: Marvin or Ruth Sackner.

This book is subtitled "Esperanto rock stars, Klingon poets, Loglan lovers, and the mad dreamers who tried to build a perfect language." Or, "A zippy trip through the history of man's attempts to overcome the curse of Babel." It also includes a listing of 500 invented languages, language samples, and a bibliography. -- Source of annotation: Marvin or Ruth Sackner.

This copy was especially signed for the Sackners on their birthdays. -- Source of annotation: Marvin or Ruth Sackner.

This book is the prospectus for the paperback edition of Soliloquy, a book that recorded every word spoken by Goldsmith in a week. The Sackner Archive is cited. -- Source of annotation: Marvin or Ruth Sackner.

Relates story of the arrest of d.a.levy, Jim Lowell and Robert Sigmund. -- Source of annotation: Marvin or Ruth Sackner.

The folded loose sheet is a reproduction of a poem that Lora-Totino wrote in 1980. -- Source of annotation: Marvin or Ruth Sackner.

Kettner writes in the introduction that these poems were inspired by infrared photographs. -- Source of annotation: Marvin or Ruth Sackner.

Includes handwritten poems by Tom Edmonds and ink drawings by Charles Verey and Neil Mills. Although this mock-up appears to be camera-ready copy, according to Bob Cobbing it was never published as a periodical. Contains a performance poem by Neil Mills, "Breathe" in which a group of participants congregate in a closed space, breathe in and out with everything else to remain silent so that they can appreciate the music of their breathing. -- Source of annotation: Marvin or Ruth Sackner.