Documentation
Found in 3453 Collections and/or Records:
HandJob: Portrait of David UU. No.1 / Gregg Simpson., 1991
Card depicts a b&w photograph of David UU dressed in n period costume. -- Source of annotation: Marvin or Ruth Sackner.
Handmade Paper in Nepal; Tradition and Change / Field, Dorothy., 1998
[Hanging Mobile] / Trinkewitz, Karel., 1989
Happy Birth Day / Moss, David., 2014
Moss writes about the use of the custom of using written childbirth amulets exorcising the ancient feminist Lilit. This work is Moss' Hebrew typographic interpretation of his family's amulet. -- Source of annotation: Marvin or Ruth Sackner.
Happy Birthday Ta! / Behar, Albert Sackner., 2002
This drawing was made by Marvin Sackner's grandson in honor of his 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.
Happy Holidays / Alatalo, Sally., 1993
[Happy New Year] / Descossy, Gilbert., 1991
Happy New Year: Shana Tova 1988 - 5749 / Avadenka, Lynne., 1988
Happy Passover / Jackman, Sandra., 2011
Harley + me in Minden! / spence, pete; Harley., 2004
Harmonia Praestabilita / Phillips, Tom., 1967
This work (Opus 7) was included in Exit Magazine issue No.5-6. It is also depicted in Tom Phillips: Works Texts To 1974, page 252. -- Source of annotation: Marvin or Ruth Sackner.
Haroldo anuncia a ultima viagem da poesia / De Barros e Silva, Fernando; De Campos, Haroldo; DeCampos H., 1990
Hartmann / curry, jw., 1990
Hashkiveinu / Moss, David., 2012
David Moss writes, "Cause us to lie down in peace...The Talmud says that sleep is one-sixtieth of death and dreams are one-sixtieth of prophecy. It is not surprising, therefore, that as night falls we pray this beautiful prayer in the evening service for peaceful rest, for wisdom, for protection, for guarding, for compassion and life...This work brings together two very real objects from my life - a quilt and a bed - and celebrates that moment when night falls, when a smidgen of death and a touch of prophecy approach, and objects dreamily begin to recite their tales." -- Source of annotation: Marvin or Ruth Sackner.
Hastings / curry, jw., 1990
Haute Flamme, 1998
This booklet, printed in an addition of 1500 in honor of the 60th anniversary of the company, Primagaz, commemorates the editioned plate created by Albert Dupont. The plate contains two poetic texts by Dupont around the border and the center. the blue and gold colors relflect the flame, the energy and the creativity associated within each person. -- Source of annotation: Marvin or Ruth Sackner.
Haute Flamme / Albert DuPont; MA Sackner; RK Sackner., 1998
This booklet, printed in an addition of 1500 in honor of the 60th anniversary of the company, Primagaz, commemorates the editioned plate created by Albert Dupont. The plate contains two poetic texts by Dupont around the border and the center. the blue and gold colors relflect the flame, the energy and the creativity associated within each person. -- Source of annotation: Marvin or Ruth Sackner.
he + [1st version] / Mairey, Francoise., 2002
Card No.6 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Head Paintings / Fones, Robert., 1997
All of the illustrations in this book are reproduced from a series of paintings on canvas with the same stylized image of a face with two, three dimensional, sockets for eyes, and a drawer-like rendering of a mouth. Each painting is explained by Fones with a facing text. A single picture entitled, "First Word," has the letter 'D' in one eye socket, 'A' in the other, and 'D A' in the mouth slot. Fones explains, "The colours of the letter forms were taken from the water in Giotto's "The Miracle of the Spring," a painting from his Franciscan Cycle at Assisi. The grey colour of the head is taken from the rock surrounding the spring. In spoken language, the breath stream, as it is called, is modified or sopped by teeth, tongue, lips, and vocal cords. Similarly, these letter forms are continuous extrusions, shaped by the skeletal form of the two letters.This book is one of fifty copies bound by Michael Torosian. -- Source of annotation: Marvin or Ruth Sackner.