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Documentation

 Subject
Subject Source: Sackner Database

Found in 3416 Collections and/or Records:

VP=VP / Gunther, Thomas, editor; Jahn S; Nikonova R; Segay S., 1995

 Item
Identifier: CC-10575-10780
Scope and Contents

This is part of the photodocumentation (of the artists) for Deschamp No.3. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

V/Search: Zines! Volume 2. No.2 / V. Vale, editor ; Craven A ; Duchamp M ; Johnson R ; Deisler G ; Petasz P ; Held Jjr., 1997

 Item
Identifier: CC-33158-34785
Scope and Contents

An interview with Dean who publishes a small mag, Arthur Cravan, discusses Craven's life and work and also includes a bibliography. Bruno Richard, who publishes "Elles Sont de Sortie" discusses correspondence art, rubberstamp art and Ray Johnson. He classifies zines into the following categories: found art; hybrid; assembling and multiple origins. John Held Jr., who publishes Bibliozine describes International Mail Art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Wait, Later This Will Be Nothing: Editions by Dieter Roth, 2013

 Item
Identifier: CC-56786-10000159
Scope and Contents

Director Glenn Lowry writes in the catalogue forward that "Dieter Roth was an endlessly inventive and thought-provoking artist whose substantial body of work, made over the course of nearly five decades, is both prodigious and idiosyncratic. In his experiments with forms, materials, and language, Roth challenged the boundaries not only between mediums but between art and everyday life." Curator Sarah Suzuki writes that "it is easier to describe what he is not than what he is : Above all, he is not a propagandist, and he is not a prophet. He is neither a moralist nor an immoralist. And he is no joiner...He is a member of no ism, group or movement, although many movements, groups, and isms would like to claim him as one of their own." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

Watts Chapel / Furnival, John., 1970

 Item
Identifier: CC-13214-13515
Scope and Contents

The Watts Chapel is one of the few surviving monuments to the Arts and Crafts Movement and was designed in 1896 by Mary Watts. John Furnival made five drawings of the interior and one is reproduced here. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

West Country Stone Barge / Finlay, Ian Hamilton; Hincks, Gary., 1996

 Item
Identifier: CC-35245-36979
Scope and Contents

The image on the card depicts a row of fishing boats on dry beach. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Wexford Artists' Book Exhibition, 3rd / Barton CJ ; Bevis J ; Boschi A ; Coleman L ; Collins D ; Cutts S ; VanHorn E ; deCharmoy C ; Drum D ; Echevarria-Myers JA ; Figueiredo C ; Finlay A ; Harroff W ; Neaderland L ; Johanknecht S ; Karasik M ; McGarry A ; Nakamura K ; Putz C ; Siff E ; Stussi M ; Sutherland WM ; Wednesday Club ; Olbrich JO., 1997

 Item
Identifier: CC-32166-33714
Scope and Contents

The catalogue includes several statements by the contributing artists dealing with their reasons for making books. It lists the contributing artists but does not describe the books that were exhibited. The exhibition was curated by Andi McGarry and Denis Collins. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

What I'm Doing / Hartman, Arleen., 1997

 Item
Identifier: CC-34626-36327
Scope and Contents

The text is an autobiographical analysis of a radical, feminist artist who is the wife of the poet/publisher John Byrum. The Sackner Archive holds a calligraphic notebook by Hartman. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

When Islam was sensual / Dannatt, Adrian; Amer, Ghada; Amer G ., 2001

 Item
Identifier: CC-43821-45917
Scope and Contents

This interview with the Egyptian artist Ghada Amer explains how she draws on a medieval Muslim erotic text for her works of art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001