This book depicts deconstructed collages in color by Villegle from 1996-1999; composite black and white photographs document performances. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of the work of contemporary Catalan visual poets that depicts two works by the 32 contributors. -- Source of annotation: Marvin or Ruth Sackner.

This lists all back issues including the contents. -- Source of annotation: Marvin or Ruth Sackner.

Nam June Paik in his interview with Nicholas Zurbrugg points out differences between the academic and creative people in video art. The layout in this issue is highly experimental with a concrete poetic sensibility. -- Source of annotation: Marvin or Ruth Sackner.

Consists of Accame's comments on the series of drawings with the same title held by the Sackner Archive. He indicates that he was the first to translate Jarry's poetry into Italian. The work deals with a teatise on pointology. As Accame explains, "If pataphysic is, by definition, the 'science of particulars,' what there is more particular than a point? ...'point becomes the place where beginning and end meet each other,' as you can also read in my tables." -- Source of annotation: Marvin or Ruth Sackner.

This unfolded sheet contains the visiting hours, tour schedule, catering, pottery factory shops and other details including a hand-drawn map for visiting the abbey. -- Source of annotation: Marvin or Ruth Sackner.

Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent 29 works to this exhibition. Ruth and Marvin Sackner delivered a talk about their collection at the exhibition opening. The exhibition was reviewed in Art on Paper Vol.8 No.1, 2003. -- Source of annotation: Marvin or Ruth Sackner.

Film photographer who worked on a bp Nichol film with Brian Nash & jw curry. He also was a participant on curry's hobo train trips. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists the artists and depicts their visual poems in a contest for the best works. The winners were Gerhild Ebel, Reinhard Klessinger, and Axel Georg Malik; works by all of these artists are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Following an introductory essay in English by Karl Riha, the remainder of this book consists of reviews of PIPS in newspapers and magazines. In the introduction, Riha notes that "PIPS is a dialect word (used in Rhineland) for a head cold or disease afflicting chicken (symptom: inflamed coating of the tongue) or: a DADAIST fantasy word!!!!"In box labeled "Pips flat periodicals." -- Source of annotation: Marvin or Ruth Sackner.

Photograph of Lemaitre flanked by four women including Laura Aga-Rossi. -- Source of annotation: Marvin or Ruth Sackner.

This document states, "The Pressures of the Text (1983, 17 min) integrates direct address, invented languages, ideographic subtitles, sign language, and simultaneous translation to investigate the feel and form of sense, the shifting boundaries between meaning and meaninglessness. A parody of art/critspeak, educational instruction, gothic n arrative, and pornography, it has been performed as a live work at major media centers and new music festivals in the US and Europe." The Sackner Archive hold a copy of this video work. -- Source of annotation: Marvin or Ruth Sackner.

The photograph is of an exhibition case with the publication of Vp=Vp by Gunther. -- Source of annotation: Marvin or Ruth Sackner.