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Documentation

 Subject
Subject Source: Sackner Database

Found in 3453 Collections and/or Records:

Text Two / Vassilakis N ; Huth G ; Grenier R ; Silliman R ; Glass Jjr., 2009

 Item
Identifier: CC-49776-70829
Scope and Contents

The second Text Festival was a celebration of international poetics and language in art. With a focus on performance and sound art, the event features exhibitions and commissions from some of the world's leading practitioners and some great new talents. Geof Huth is featured in an exhibition Signs of the Times with archival mataerial and museum objects and in a performance in a UK premier. Ron Silliman performed his premier event with other poets. He is noted as a major figure in international post-avant poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Textes et Images: Cent Livres Illustres de L'Epoque 1890-1990 / Lurcat J., 1990

 Item
Identifier: CC-01182-1212
Scope and Contents

Jean Lurcat's book "Patrice de la Tour du Pin" and Robert Schwarz's book "George Trakl: Abendland," both held by Sackner Archive, are depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Thames & Hudson (Fall) / Sackner MA ; Sackner RK ; Heller S., 2015

 Item
Identifier: CC-60438-10003370
Scope and Contents

The Art of Typewriting is listed for publication with three varying illustrations of typwriter art on the front covers -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2015
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

Thank You / Nora Quinlan., 1991

 Item
Identifier: CC-03729-3800
Scope and Contents

Given to the Sackners after her first visit to the Archive. The poem objects are cut-outs that spell "THANK & YOU." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

Thanks / Cook, Ralph; levy da ; Patchen K; Patchen M., 1982

 Item
Identifier: CC-18806-19183
Scope and Contents

Letter typed such that a large blank space spells thanks when the reader squints. Cook thanks Marvin Sackner for sending him the Archive listing and mentions d.a. levy material and a his visit to Miriam Patchen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[thanks ica] / Houedard, Dom Sylvester; Bann S; Finlay IH; Finlay S; Sharkey W ; Burroughs WS; Trocchi A; Nuttall J; Picard T., 1966

 Item
Identifier: CC-56717-10000101
Scope and Contents

This typed message continues "mrs sharkeys book is EXCELLENT" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The 21 Columns of Language / Leandro Katz., 2010

 Item
Identifier: CC-50744-71822
Scope and Contents These wall texts were from the Reina Sofia Museum exhibition "Encuentros De Pamplona" for the typewriter and scroll sculpture "Word Colmn IV" lent by the Sackner Archive. The original text is dated 11/8/71. The English text is as follows;"Columns or else enumerative lists of words, any or the least utterance, statement of fragment of speech, isolated words chosen at random and therefore not necessarily arranged in alpabetical or other systematic order and in any tense, state, length or form, be it generative, transformational, with or without orthographical errors, comforming to or violating grammatical rules and any other condition of speech, the verbal expression in contrast with action or thought presenting the object to the mind like a picture and composed in sections of text, inscriptions or scriptures approximately 7 feet tall which may accumulate, join, rise and elevate into the depth of the atmosphere of 60 KM and be called THE 21 COLUMNS OF LANGUAGE each one named after a...
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

The 21 Columns of Language / Leandro Katz., 2010

 Item
Identifier: CC-50744-71822
Scope and Contents These wall texts were from the Reina Sofia Museum exhibition "Encuentros De Pamplona" for the typewriter and scroll sculpture "Word Colmn IV" lent by the Sackner Archive. The original text is dated 11/8/71. The English text is as follows;"Columns or else enumerative lists of words, any or the least utterance, statement of fragment of speech, isolated words chosen at random and therefore not necessarily arranged in alpabetical or other systematic order and in any tense, state, length or form, be it generative, transformational, with or without orthographical errors, comforming to or violating grammatical rules and any other condition of speech, the verbal expression in contrast with action or thought presenting the object to the mind like a picture and composed in sections of text, inscriptions or scriptures approximately 7 feet tall which may accumulate, join, rise and elevate into the depth of the atmosphere of 60 KM and be called THE 21 COLUMNS OF LANGUAGE each one named after a...
Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Poem and Book Objects

The 1993 Runaway Spoon Press Catalogue / Grumman, Bob ; And M ; Was E ; Beining G ; Bennett JM ; Berry J ; curry jw ; Gorman L ; Grumman B ; Huth G ; Kostelanetz R ; Polkinhorn H ; Tomoyasu L ; Hill C ; Hood W ; Hyrciuk M ; Kempton K ; Inman W ; Kettner M ; Porter B ; Evason G., 1993

 Item
Identifier: CC-10507-10711
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

The 1996 Runaway Spoon Press Catalogue / Grumman, Bob, editor ; And M ; Was E ; Bennett JM ; Berry J ; curry jw ; Gorman L ; Grumman B ; Huth G ; Polkinhorn H ; Hill C ; Hood W ; Hyrciuk M ; Kempton K ; Kettner M ; Porter B ; Evason G ; Beining G ; Byrum J ; Cobbing B ; Garnier P ; Keith B ; Lora-Totino A ; Tanabu H ; Ganick P ; lopes d ; Porter B ; Strangulensis F ; Tomoyasu L ; Vassilakis N ; Weiss I ; Winkler C., 1996

 Item
Identifier: CC-32507-34084
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

The Actual Biography / Groh, Klaus., 1990

 Item
Identifier: CC-10151-10352
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Alchemy of Breathing / Laffoley, Paul., 1991

 Item
Identifier: CC-07234-7376
Scope and Contents

This text provides an interpretation of the drawing Laffoley made for "The Beauty in Breathing" exhibition. Laffoley links breathing with spirit, the soul and yoga. The lungs function as alchemy insofar as breathing transforms substance. He relates the first breath and each subsequent breath to a rhythmic interplay of life and death. The lungs as a physical entity are depicted as a labyrinth and their folds are numbered as two Fibonacci series, to emphasize breathing in & out. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

The Alphabet / Kendall, Margarida., 1986

 Item
Identifier: CC-07811-7964
Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The American Journalist; Paradox of the Press / Ghiglione, Loren., 1990

 Item
Identifier: CC-10252-10455
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Angel Hair Anthology / Waldman, Anne, editor ; Warsh, Lewis, editor ; Acconci V ; Ashbery J ; Berkson B ; Berrigan D ; Brainard J ; Clark T ; Coolidge C ; Creeley R ; Denby E ; Dennis D ; Duncan R ; Elmslie K ; Giorno J ; Harwood L ; Katz L ; Levertov D ; Malanga G ; Mayer B ; Padgett R ; Ricard R ; Rosenberg D ; Saroyan A ; Schneeman G ; Schjeldahl P ; Stein C ; Waldman A ; Warsh L ; Weiner H ; Whalen P ; Weiners J., 2001

 Item
Identifier: CC-47708-68726
Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Annotated Flatland: A Romance of Many Dimensions / Abbott, Edwin ; Stewart, Ian., 2002

 Item
Identifier: CC-53186-74338
Scope and Contents This copy is the first edition, first printing.Amazon.com Review: The product of an agreeably dotty cleric named Edwin Abbott Abbott and first published in 1884, Flatland distills all that the Victorian era knew of higher mathematics--and then some--into a witty, complex novel of ideas.Ian Stewart, the author of the equally witty sequel, Flatterland--which adds to Abbott's store of science the key discoveries made since--does a superb job of explaining the original book's enigmas, allusions, ironies, implausibilities, and what Douglas Hofstadter would call "metamagical themas." Among other things, Stewart comments on Abbott's comments on such things as the nature/nurture controversy, the fourth dimension and beyond, the role of multidimensional spaces in economic systems, infinite series and perfect squares, celestial mechanics, and other matters close to the hearts of cosmologists and science buffs alike. Stewart's notes make an entertaining and learned addition to an already...
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Art of Making the Book / Rea, Nicholas., 1991

 Item
Identifier: CC-03388-3443
Scope and Contents

The text indicates that Nicholas Rea was inspired with the idea of creating an artist's book after a visit to the Sackner Archive in 1989. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

The Art Strike Papers and Neoist Manifestos / Home, Stewart., 1991

 Item
Identifier: CC-09367-9553
Scope and Contents Discusses Art Strike of 1990-1993 and reproduces Neoist manifestos. tewart Home (born 1962, London) is an English artist, filmmaker, writer, pamphleteer, art historian, and activist. He is best known for his novels such as the non-narrative 69 Things To Do With A Dead Princess (2002), his re-imagining of the 1960s in Tainted Love (2005), and earlier parodistic pulp fictions Pure Mania, Red London, No Pity, Cunt, and Defiant Pose that pastiche the work of 1970s British skinhead pulp novel writer Richard Allen and combine it with pornography, political agit-prop, and historical references to punk rock and avant-garde art.Wikipedia: "From 1982 to 1984, Home operated as a one-person-movement "Generation Positive", and having already founded a punk band called White Colours (named after an experimental novel by R. D. Reeve) in 1980, he started a new group with the same name in 1982. He also published an art fanzine SMILE, the name of which was a play on the Mail Art zines FILE and VILE...
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

The Badge Show, 1980

 Item
Identifier: CC-21789-22200
Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST BOOKS AND POETRY/BOOK OBJECTS

The Beat Hotel: Ginsberg, Burroughs, and Corso in Paris, 1957-1963 / Miles, Barry ; Ginsberg A ; Burroughs WS ; Corso G ; Orlovsky P ; Kerouac J ; Gysin B ; Chopin H ; Heidsieck B ; Lebel JJ ; Norse H., 2000

 Item
Identifier: CC-35585-37329
Scope and Contents

The Beat Hotel on 9 rue Git-le-Coeur in Paris, was the residence of the Beat writers during the years 1957 to 1963. It was here that Ginsberg wrote Kaddish, Gysin discovered the cut-up method and Dream Machine, Burroughs completed and published Naked Lunch, and Corso wrote the Bomb. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

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