Documentation
Found in 3453 Collections and/or Records:
Oltre Il Libro Beyond Books, 2011
This is a profusely illustrated book that covers the intense activity of Boetti as both a typesetter and director of his works. -- Source of annotation: Marvin or Ruth Sackner.
OM Journal Anaphilosophicus / Oberto, Martino., 1975
om + / Mairey, Francoise., 2002
Card No.4 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Ombres & Llunes / Calleja, J.M., editor ; Brossa J ; Iglesias del Marquet J ; Valles J ; Viladot G ; Calleja JM ; Canals X ; Ferrando B ; Sou J ; Vega G ; Rafols-Casamada A ; Albalat A ; Badiella J ; Escoffet E., 2004
This book provides a brief biography and an example of their work by several older as well as younger Spanish poet/artists. -- Source of annotation: Marvin or Ruth Sackner.
[On p 5 try] / Houedard, Dom Sylvester., 1965
Camaeron describes this as "f 'cap in dsh hand, notes & correx for an article, presumably the ISIS piece." -- Source of annotation: Marvin or Ruth Sackner.
On the Two Year Anniversary of the Premature Announcement of the Publication of Sneaky Meat / Farrell, Ian., 1992
Apologetic letter for not having sent book, "Sneaky Meat" in a timely fashion. -- Source of annotation: Marvin or Ruth Sackner.
On the Wall: Some Printed Posters of Lawrence Weiner / Bound & Unbound ; Weiner L., 1999
Onder Experimenteel Vuur, 1968
one cent: A History 2nd ed.; Y Bird. No.283-284 / jw curry ; Mark Laba ; Daniel f. Bradley., 1991
This material constitutes the editorial content of these two issues. -- Source of annotation: Marvin or Ruth Sackner.
one cent: At Least 2 Cents Worth. No.250 / jw curry., 1990
In this newsletter, Curry quotes part of a letter written to him by Marvin Sackner describing a conversation with an art historian regarding the introduction to the exhibition catalog "The Altered Page." "After reading the first sentance, she smiled & said such an essay could never be written by a professional art critic or historian - they would never begin an essay with a statement of purpose (like a scientist) but would lay on some bullshit for a few pages before reaching a point." -- Source of annotation: Marvin or Ruth Sackner.
one cent: At Least 2 Cents Worth. No.250 / jw curry., 1990
In this newsletter, Curry quotes part of a letter written to him by Marvin Sackner describing a conversation with a art historian regarding the introduction to the exhibition catalog "The Altered Page." "After reading the first sentance, she smiled & said such an essay could never be written by a professional art critic or historian - they would never begin an essay with a statement of purpose (like a scientist) but would lay on some bullshit for a few pages before reaching a point." The Sackner Archive also holds the Archive for this issue. -- Source of annotation: Marvin or Ruth Sackner.
one cent: ayme walknge on aire. No.285 / jw curry ; Gary Barwin., 1991
This material constitutes the editorial content of this issue. -- Source of annotation: Marvin or Ruth Sackner.
one cent: ayme walknge on aire. No.285/Nov / Gary Barwin., 1991
one cent: [Layout for Please Help Jonny Coax the Cows Home]. No.220 / jw curry., 1989
This item consists of a photocopied collage that was submitted as an original to Woodrose magazine but never returned to curry. -- Source of annotation: Marvin or Ruth Sackner.
one cent: part 1: special collaboration with Industrial Sabotage No.42. No.200 / jw curry., 1988
one cent No.200 was published as Curvd H&Z No.378, 1988. This manuscript constitutes the foreward to this issue. -- Source of annotation: Marvin or Ruth Sackner.
one cent: Please Help Johnny Coax The Cows Home. No.220/Feb / jw curry., 1989
one cent: September 21, 2002. No.373/Jan / Laurie Fuhr ; curry jw., 2006
curry's contribution deals with his views on mimeograph printing. -- Source of annotation: Marvin or Ruth Sackner.
one cent: Sliverick 2nd ed. No.396/Dec / Margaret Avison., 2008
curry indicates that this is the "2nd run with typography fixed from 5 cent MiniMimeo #23, 1969." -- Source of annotation: Marvin or Ruth Sackner.
One Enchanted Evening (2001) / Williams, Emmett; Hainke, Wolfgang., 2006
One Hundred Days in a Year / O'Conner, John J., 2005
The artist uses a complex color coding system for his abstract images to convey words and sentences about a topic. He discusses this system for every artwork depicted in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.