Deals with Finlay's dispute with the Strathclyde tax authorities.Filed in Finlay box. -- Source of annotation: Marvin or Ruth Sackner.

This book provides an illustrated tour of Little Sparta. The photographs of the garden were taken by Andrew Lawson. The Sackners purchased this book from Finlay during a visit to the garden in 2004. This is the third impression. Sir Roy Strong calls Little Sparta 'the only really original garden made in this country since 1945'. Ian Hamilton Finlay's unique creation in the Pentland Hills south of Edinburgh is a garden composed as an artwork in itself. It incorporates concrete poetry, moral polemic, philosophical reflection and a sparkling sense of humour. While Finlay's works and installations throughout Europe and North America are well documented and justly famous, this is the first book devoted solely to the garden at Little Sparta, which has been at the heart of his life's work. It offers the reader a sense of the diversity and originality of the garden along with a text that unfolds the layers of meaning it contains. -- Source of annotation: Marvin or Ruth Sackner.

This card consists of a statement about Finlay's dispute with the Strathclyde region tax collectors. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition and catalogue was curated by Harald Szeemann; Charles Harrison organized the London exhibition. This catalogue consists of a suite of 78 single leaves with photo and biographical information of the artists and their works, alphabetically arranged with cardboard thumb index. This is the Second enlarged edition of the famous Szeemann catalogue on conceptual art. The exhibition was held in the Kunsthalle Bern (Switzerland) in March and April 1969 and moved to London in the fall of the same year, where the show was curated by Charles Harrison and sponsored by Philip Morris Europe, as stated on the title leaf of the present catalogue. As Charles Harrison explains in his forword, the London catalogue was supplemented without withdrawal of any material from the original catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of artist books, mostly drawn from German speaking artists, was curated by Michel Giroud. Several books and periodicals that are reproduced in this catalogue are held by the Sackner Archive including Schleber's "Autobiography of a He-Man." Stored in box with other books having a title beginning with Livres. -- Source of annotation: Marvin or Ruth Sackner.

Card No.9 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets are announcements for an exhibition titled "Le Premier Oeuf" at Galerie Sema, Paris. The envelope was addressed to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Photographic recording of curry's 1994 Canadian train trip. -- Source of annotation: Marvin or Ruth Sackner.

This is the 2nd edition of a book that consists of photocopied photographs from the caboose of a train that curry travelled on his trip across Canada. -- Source of annotation: Marvin or Ruth Sackner.

Notes dealing with the relation of words to painting, -- Source of annotation: Marvin or Ruth Sackner.

The evolution of the London typeface described in the book is depicted as pages of letter forms in alphabetical style printed by letterpress -- Source of annotation: Marvin or Ruth Sackner.

Adapted from a sentence in Andrew Lang's "The Wanderings of Ulysses." -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book were written 1972-1973. The cover illustration was done by Soheyl Dahi. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was conceived on an original idea by Barbaralee Diamonstein-Spielvogel and curated by Andrea Rosen. The exhibition included the works of 341 artists and poets. Several works were lent by the Sackner Archive. The catalogue was a gift of Andrea Rosen and is a checklist of the exhibition including diagrams of the placement of the pictures in the gallery and an artist list index. -- Source of annotation: Marvin or Ruth Sackner.

This is a definitive bibliography of levy's publications with colored reprints of many paintings and covers interspersed throughout. -- Source of annotation: Marvin or Ruth Sackner.

This periodical was begun in 1971 and ran through June 1975. The second series, edited by Sarenco, began in 1982 and finished in 1984. The Sackner Archive holds a complete run of both series. In this exhibition, each of the 74 artists contibuted two or more collages or drawings with the header "Lotta Poetica" and the dimensions of the cover as a homage. -- Source of annotation: Marvin or Ruth Sackner.