Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a red cover. In addition, the unnumbered, red cover edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. The prints in this edition differ from a work of the same title, publisher and year of publication that has a gray cover. In addition, this edition has a quote from Alexis de Tocqueville printed on the first print that introduces the works. -- Source of annotation: Marvin or Ruth Sackner.

Sanders' drawings that illustrate the poems are reminiscent of Jake Berry's ones. -- Source of annotation: Marvin or Ruth Sackner.

First published in 1960. -- Source of annotation: Marvin or Ruth Sackner.

The assemblage incorporates part of a stethoscope, a chestnut, and a glass ampoule. -- Source of annotation: Marvin or Ruth Sackner.

Illustrations include among others the tip of John Cage's thumb and the end of William Burroughs penis. -- Source of annotation: Marvin or Ruth Sackner.

2700 copies were bound in soft covers. -- Source of annotation: Marvin or Ruth Sackner.

An inscription on the verso indicates that this drawing is from a collection, "Architextura." -- Source of annotation: Marvin or Ruth Sackner.

This a photocopied facsimile of a sketchbook. The original was in black and white rendered with ink. Laffoley notes that this facsimile is complete. -- Source of annotation: Marvin or Ruth Sackner.

This group is composed of Rafael Rivera-Barreto, Paul Dutton, Steve McCaffery and bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

The RSVP cycles are defined as resource, score, valuation and performance. Halprin demonstrates in his writings and drawings how these factors relate to the creative processes in a continuous cycle of interrelated activities, and specifically influence urban and environmental planning. He describes scores as "Symbolizations of processes that extend over time...in all fields of human endeavor... as a way of communicating over time and space to other people in other places."The author has written a book based upon futurist theory of connecting avant garde artistic activities with landscape and city planning architecture. -- Source of annotation: Marvin or Ruth Sackner.

This was the drawing for the silkscreened print inserted into Devil's Artisan No.16, 1985. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made on pages 194 & a blank page of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were filled with gold leaf. In addition to the engravings and marginalia of a previous owner that Macia has incorporated into a new surrealist image, Macia has written his own marginalia in Spanish. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made on unnumbered pages of a book on astronomy by Joannis de Sacro Bosco, Sphaera, Lyon France, 1564. The original pages were perforated by termite holes that were covered with gold leaf. The pages themselves have engravings that Macia has incorporated into his new images. -- Source of annotation: Marvin or Ruth Sackner.

One of 11 drawings in the series is illustrated. The subject is "the ten globes of absolute light of the tree of the Sephiroth and the false eleventh Sephirah named Daath (or knowledge) which spans the Abyss of Transition." -- Source of annotation: Marvin or Ruth Sackner.