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Critical text

 Subject
Subject Source: Sackner Database

Found in 3298 Collections and/or Records:

Notes in the Post: Madame Tetrazzini (Feb.) / Phillips, Tom., 1998

 Item
Identifier: CC-29355-30718
Scope and Contents

This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. For this magazine, the postcards have been selected to reflect aspects of the world of music. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Notes in the Post: Mario Lanza in The Great Caruso (May) / Phillips, Tom., 1998

 Item
Identifier: CC-30182-31583
Scope and Contents

This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. In this issue, the postcards depict portaits of Mario Lanza and Enrico Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Notes in the Post: Music First (Jun.) / Phillips, Tom., 1998

 Item
Identifier: CC-30148-31547
Scope and Contents

This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. For this issue, the postcards depict two scenes of couple's love expressins seated at a piano stool. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Notes on the Translation of Augusto DeCampos' MEMOS (excerpts): Memos / Cluver, Claus; DeCampos A., 1981

 Item
Identifier: CC-19481-19864
Dates: 1981
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Notes sur une Serie de Photos Hypergraphiques de 1985 / Devuax, Frederique., 1987

 Item
Identifier: CC-15896-16229
Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Notions and Notations / Cobbing, Bob; Furnival J; Houedard DS; Cox K; Claire K; Claire P; Williams E., 1979

 Item
Identifier: CC-17596-17963
Scope and Contents

Cobbing concludes in this essay, visual (concrete) poetry can be heard, smelt, has colours, vibrations whereas sound poetry dances, tastes, has shape. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Notizen zwischen der Experimentellen Arbeit - zu ihr / Claus, Carlfriedrich ; Hains R ; Villegle J ; Bryen C., 1964

 Item
Identifier: CC-17128-17486
Scope and Contents

The typewriter concrete poems date to 1959. Carl-Friedrich Claus was born in 1930 and died in 1998. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Nouvelles les Escroqueries de Leo Castelli! / Lemaitre, Maurice., 1990

 Item
Identifier: CC-07051-7189
Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Novak / Novak, Ladislav ; Kolar J ; Chalupecky J., 1974

 Item
Identifier: CC-51496-72594
Scope and Contents

Jindrich Chalupecky contributed an introductory essay entitled "The Heretical Surrealism of Ladislav Novak." Novak describes his first meeting with Jiri Kolar in 1961 as one of the greatest experiences of his life. Kolar gave him "the kind of stimulus needed and the knowledge that in art one must be ruthless and thorough, that even the most brilliant idea isn't enough in itself, that one must develop it in series, push it, advertise it, etc." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Novas Selected Writings [Edited and with an introduction by Antonio Sergio Bessa and Odile Cisneros; Forward by Doland Greene], 2007

 Item
Identifier: CC-49157-70197
Scope and Contents Amazzon.com: This is the first full-scale English translation of one of Brazil's-and the world's-most influential avant-garde literary voices. A generous introduction to one of the key literary figures to emerge from Brazil in the second half of the twentieth century, this book offers English-speaking readers an ample selection of this prodigious writer's celebrated poetry and widely influential critical work. As a poet and as a cofounder of the renowned group Noigandres, Haroldo de Campos has made a unique and substantial contribution to the theory and practice of experimental writing, particularly the form known as concrete poetry, and to the Latin American avant-garde as a whole. These contributions, acclaimed worldwide by figures such as Umberto Eco, Jacques Derrida, Octavio Paz, and Guillermo Cabrera Infante, can be observed unfolding here, first in poetry selections ranging from de Campos' early work before concretism through his most recent production; then in theoretical...
Dates: 2007
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Novelty Books: Accent of Images and Words / Carothers, Martha; Weier D; Rothenberg J; King R., 1988

 Item
Identifier: CC-19998-20386
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

November 20 [1977] - January 8 [1978] / Ives, Norman., 1977

 Item
Identifier: CC-08385-8551
Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Novisima Poesia /69 / Jorge Lopez Anaya, curator ; Damase J ; Arias-Misson A ; Mon F ; Vigo EA ; Petronio A ; Pazos L ; Bense M ; Ferro L ; Accame V ; Clavin H ; Garnier P ; Vicinelli P ; DeSa A ; Schauffelen KB ; Jandl E ; Ulrichs T ; Wezel W ; Ginzburg C ; Lujan-Gutierrez J ; Gappmayr H ; Ruhm G ; Azeredo R ; Braga E ; Branco J ; Cirne M ; DeCampos A ; DeCampos H ; Dias-Pino W ; Mund Hjr ; Pignatari D ; Sa N ; Silva F ; Xisto P ; Suknaski A ; Mayne S ; Honys J ; Malina J ; Valoch J ; Finlay IH ; Scobie S ; Hidalgo J ; Marchetti W ; Plaza J ; Atchley D ; Fernbach-Flarscheim C ; Giorno J ; Gross R ; Johnson R ; Lezak I ; MacLow J ; Ockerse T ; Saroyan A ; Solt ME ; Williams E ; Williams J ; Alocco M ; Blaine J ; Bory JF ; Chopin H ; Gerz J ; Moineau JC ; Bann S ; Breakwell I ; Clark TA ; Cobbing B ; Cox K ; Draper R ; Edmonds T ; Furnival J ; Gibbs M ; Houedard DS ; Kilburn D ; Lijn L ; Lloyd A ; Mayer P ; Phillips T ; Riddell A ; Sharkey JJ ; Verey C ; Wells T ; Alloatti A ; Bentivoglio M ; Carrega U ; Comini R ; DellaCasa G ; Landi L ; Locatelli U ; Perfetti M ; Sarenco ; Sitta C ; Xerra W ; Niikuni S ; Yoshizawa S ; Gomringer E ; Zurbrugg N ; Damen H ; Dufrene F ; Hausmann R ; Heidsieck B ; Higgins D ; Lora-Totino A ; Weissner C ; Gomez de Liano I ; Anaya J., 1969

 Item
Identifier: CC-39760-41723
Scope and Contents

The introductory essay to this exhibition, "Situacion de la Poesia en la Era Technologica" was written by Jorge Lopez Anaya. The catalogue featured examples of concrete and sound poetry worldwide including a collage by Franz Mon entitled "Sehgang" held by the Sackner Archive and depicted with this reference. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

NUB. No.8/Nov / Goeritz M., 1965

 Item
Identifier: CC-05475-5580
Scope and Contents

Contains critical essay and examples of work of Mathias Goeritz written by Jan Bervoets. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Null Object: Gustave Metzger thinks about nothing, 2012

 Item
Identifier: CC-55630-9999234
Scope and Contents The editors of this volume are Bruce Gilcrist and Jo Joelson of London Fieldworks.Wikipedia: Gustav Metzger (born 1926) is an artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966. Metzger is recognized for his protests in the political and artistic realms. Metzger was born to Polish-Jewish parents in Nuremberg, Germany in 1926 and came to Britain in 1939 as a refugee under the auspices of the Refugee Children Movement. He has been stateless since the 1940s. It is with an experience of twentieth century society's destructive capabilities that led Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.Metzger is known as a leading exponent of the Auto-Destructive Art and the Art Strike movements. He was also active in the Committee of 100 and took part in their early anti-nuclear base campaigns of direct action...
Dates: 2012
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Numerals 1924-1977 / Ranier Crone, curator ; Andre C ; Cage J ; Denes A ; Martin K ; Mohr M ; Mallarme S ; Gaines C ; Darboven H ; Graham D., 1978

 Item
Identifier: CC-05598-5705
Scope and Contents

Exhibition was curated by Ranier Crone. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Nunca Tan Lejos Y Jamas Tan Cerca, 1998

 Item
Identifier: CC-33231-34861
Scope and Contents

Suarez Londono illustrated the text of Abad Faciolince with five colored lithographs and eight photographic reproductions of black line drawings. The cover has a colored, collaged lithgraph. Suarez also designed the endpapers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Nuovi Sconfinamenti / Guillot A ; Minarelli E ; Accame V ; Ferro G ; Finotti C ; Conte V ; Hapkemeyer A., 1989

 Item
Identifier: CC-27785-28915
Scope and Contents This exhibition catalogue features the written and printing paintings of six artists living in Italy. It is introduced with several critical essays. For example, Vincenzo Accame contributes an essay "The Relationship between Written and Painted Signs from the Viewpoint of an Aesthetic Communication in Perspective." The catalogue provides an illustration of a painting by Anna Guillot, "di cui cenere e inizio," held by the Sackner Archive, along with two detail views of this work. Gio Ferri writes in his essay, "Anna Guillot's obsessive and luminous surface is also made up of rifts and orders. She 'illustrates' the geological and archaeological component of the return journey. The dig and the passage through stratified sedimentations of writing to the sign, from calligraphic statement to painting. But the adventure of research, the journey into the deep beyond the surface, as they become revealed, under the imposition of systemised programming, reveal, first lightly, then...
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

O Formigueiro / Gullar, Ferreira., 1991

 Item
Identifier: CC-53263-74416
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

O que e Fluxus? O que nao e! O porque. What's Fluxus What's not! Why. / Hendricks, Jon, editor ; Hendricks J ; Danto A ; Block R ; Kellein T ; Ruhe H ; Young L ; Brecht G ; Ono Y ; Maciunas G ; Ben ; Paik NJ ; Filliou R ; Watts R ; Vostell W ; Millet C ; Schmit T ; Higgins D ; Kirkeby P ; Beuys J ; Stockhausen K., 2002

 Item
Identifier: CC-43073-45123
Scope and Contents

This book documents the history, philosophy and manifestos of Fluxus. It includes reprints of articles and letters from the 1960's. There are many illustrations of Fluxus artifacts. Maciunas' poster "U.S.A. Surpasses all the Genocide Records" (1967-1968) which is depicted on pages 208-209 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

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