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Critical text

 Subject
Subject Source: Sackner Database

Found in 3298 Collections and/or Records:

Lustmord, 1997

 Item
Identifier: CC-33169-34797
Scope and Contents

Beatrix Ruf writes that "the language of the LUSTMORD texts is as direct as the images of the daily media reporting on war, horrors, crimes, and murder...LUSTMORD produces feelings, perceptions intuitions of the danger which lurks in the tangle if act, participation, sympathy, helplessness and disgust." Holzer's texts were displayed on LED screens, carved benches, as tattoos, bones, labels. The exhibition took place at the former Carthusian Monastery at Ittengen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Lyric & Spirit: Selected Essays 1996-2008 / Lazer, Hank ; Bernstein C ; Rasula J ; Perloff M ; Altieri C ; Howe S ; Nichol bp ; Silliman R ; Coolidge C ; Hejinian L ; Oppen G ; Zukofsky L ; Adorno T ; Creeley R ; Eigner L ; Derrida J ; Berry J ; Sackner RK ; Sackner MA ; Weiner H ; Rothenberg J ; Schwerner A ; Waldrop R ; Jabes E ; Duncan R ; Bruskin G., 2008

 Item
Identifier: CC-47978-69001
Scope and Contents On pages 245-253, Lazer analyzes the poetry of Jake Berry and mentions that the original manuscripts of Brambu Drezi are held by the Sackner Archive. Arch Llewellyn reviews this book on Amazon.com: "Lyric & Spirit presents a measured, thoughtful, even courtly case for the sophisticated interplay of musicality and form in the woollier manifestations of lyric since the Sixties. The book collects 12 years of essays, and in places the dating shows--apex of the M is still a hot topic, and the musical canon Lazer advances (Monk, Coltrane, Cage) is already pretty canonical. Lazer has a sharp, sympathetic eye for the poetic outliers of his generation, and the attention he brings to the poems he considers exemplify the kind of intent listening and open-minded "habitation" in the fractured, quickened musics of the post-Creeley lyric that the best contemporary work requires. A great book for anyone "on the fence" about the pleasures of experimental U.S. poetry, or curious to know why the...
Dates: 2008

Macchina per Scrivere / Giambarresi, Nella ; Bentivoglio M., 1999

 Item
Identifier: CC-33802-35468
Scope and Contents

The early work of Giambarresi consists of representational drawings combined with structured typographic additions. In the 1970's, the typographic elements become dominant. Mirella Bentivoglio organized this catalogue of works from 1963 to 1998 and contributed an introductory essay in which she describes Giambarrese's style as "alphabetical icongraphy." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Made in Germany / Luh, Wolfgang., 1994

 Item
Identifier: CC-34843-36552
Scope and Contents

The Sackner "Archiv of Visual Poetry, Miami Beach" is listed twice as holding work by Luh. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Magia, La, 1997

 Item — Box 342: [Barcode: 31858073143863]
Identifier: CC-42410-44420
Scope and Contents

The presentations at this conference related to magic. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Magyar Muhely. No.77/Jul., 1989

 Item
Identifier: CC-05986-6100
Scope and Contents

Edited by Paul Nagy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Magyar Muhely. No.92/June / Biro J ; Szombathy B., 1994

 Item
Identifier: CC-06569-6688
Scope and Contents

This issue focus upon the young generation of Hungarian writers, poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Mail Art / Diotallevi, Marcello ; Rehfeldt R., 1997

 Item
Identifier: CC-29763-31140
Scope and Contents

This catalogue is dedicated to Robert Rehfeldt. The exhibition consisted of two sections: Letters to Senders and Self-written Letters in which the envelopes, postal stampings and the return addresses were important. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Mail Art Project / Frangione N ; Jaccarino C ; Boschi A ; Baroni V ; Pelati L ; Maggi R., 2007

 Item
Identifier: CC-48593-69624
Scope and Contents

Emilio De Tullio curated this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007