Six pages from Jake Berry's Brambu Drezi Book 2 are reprinted; the Sackner Archive holds the manuscript of this book. This issue includes one of the early appearances of Michael Basinski's calligraphic poems. -- Source of annotation: Marvin or Ruth Sackner.

The covers were designed by John M. Bennett and Tim Gaze. -- Source of annotation: Marvin or Ruth Sackner.

Jack Foley writes about language poetry, He states that in its movement away from speech and towards "writing as such," language poetry emphasizes the visual; writing is a visual art! However, it does not push visual into the realm of concrete or pattern poetry, which often cannot be spoken at all. "The words in language poetry CAN be spoken, even if speech is not the key to opening the poem. Concrete poetry is just one aspects of the 'experimental' with with language poetry does not concern itself." -- Source of annotation: Marvin or Ruth Sackner.

This is an installation photograph. -- Source of annotation: Marvin or Ruth Sackner.

[see pdf for full text] This retrospective exhibition shows selected books from the Perishable Press and Hamady's darkly humorous collages and sculptural boxes. The catalogue was published in a signed, altered and unsigned edition. … -- Source of annotation: Marvin or Ruth Sackner.

Each of four quadrants of the translucent print are handwritten explanations of Kabbalah. This overlies the second print which consists of three vertical color fields, the outer two are gilded and the center is a muted gold. -- Source of annotation: Marvin or Ruth Sackner.

Kaddish is a video projection installation which explores the private histories of seven Jewish families during WW II. Mention is made that Lukac's work is in the Archive of Concrete and Visual Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Lists works as contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This internatinal postcard exhibition dealing with the theme of Peace was divided into the following thematic sections, viz., Peace, No War, a Dove, No War in my Place, Love, Cartoons, Bombs and Missiles, the Atomic Bomb, Text, and Art. -- Source of annotation: Marvin or Ruth Sackner.

This is an essay written for an exhibition of Ken Friedman's illustrations of two books, viz., Ernest Robson's "Thomas Onetwo" and Dick Higgins' "The Epickall Quest of the Brothers Dichtung." Stored with Ken Friedman material. -- Source of annotation: Marvin or Ruth Sackner.

This is a definitive biography of Patchen's life and work. -- Source of annotation: Marvin or Ruth Sackner.

This work is a pataphysical, political analysis of the typewriter keyboard as related to the sonnets of Shakespeare. -- Source of annotation: Marvin or Ruth Sackner.

Dom Sylvester Houedard's introduction to the catalogue is printed directly from his typescript with handwritten additions as it "arrived too late to typeset due to unreliable postmonk at the abbey." Cox's "Suncycle," in the motorised edition, was displayed in this exhibition. A non-motorised version is held by the Sackner Archive. Stored with Kenelm Cox's portfolio "A Memorial Folder." One copy is stored in with Houedard manuscripts. -- Source of annotation: Marvin or Ruth Sackner.

Cluver brings out the connections of August DeCampos' colored textural, concrete poems to the colored musical compositions of Anton von Webern. -- Source of annotation: Marvin or Ruth Sackner.

Slavko Matkovic (1948-1994) was the founder of the group Bosch + Bosch in Subotica in 1972. In Subotica, he was the initiator and editor of Kontaktor 972 (published two). In 1974 in collaboration with Szombathy Balint, he founded the international review, Arts Wow (published three issues). He was engaged in projects in the spirit of new artistic practices, interventions in the area, conceptual works, visual poetry, book author, the new comic strip, Artom mail and literature. -- Source of annotation: Marvin or Ruth Sackner.