Edited by David Zack. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Karl Young and Harry Polkinhorn. -- Source of annotation: Marvin or Ruth Sackner.

Includes acknowledgement of financial support given to exhibition by The Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

These texts include chapters titled "construction" where two academic writers construct texts on subjects of their own choosing, "erase" in which the title and the main body of each writer's text are erased and the remaining footnotes are e-mailed to the other writer and "reconstruction" where each writer reconstructs the other's work from the other's reference. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a critical introduction of Hubaut's work by Restany followed by an interview of Hubaut which was the subject of a conference held March 28, 1994 at l'l.U.F.M. di Calvados. Restany begins his remarks, "...Joel Hubaut, for he is among the protagonists of the third generation of the postwar period, someone who, precisely, has also identified his work with life. Life, for Joel Hubaut is above all a linguistic phenomenon... Language is like life, it has highs and lows..." -- Source of annotation: Marvin or Ruth Sackner.

Includes an illustrated essay by Gian Franco Arlandi on the relationship of shaped poetry to constructivism. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition focused upon Wilke's body ravaged by cancer just prior to her death. -- Source of annotation: Marvin or Ruth Sackner.

These manuscript pages consist of the background and personal opinions of Houedard who was asked to write an introduction to the work of Dr.James Parkes, an important Christian scholar and philospher. As Houedard writes, he was pleased to do so as there was a wide area in which their "thought closely coincided. In theology, in pacifism, in the need for a wider and deeper ecumenism, in support of the direction youth has been moving, and in particular of course in our agreement on the need for studies and concrete results in the field of anti-semitism." The introductory essay details the history of Catholic Church's litugical changes in their view of anti-semitic liturgy from early Christianity until 1970. The book was never published -- Source of annotation: Marvin or Ruth Sackner.

dsh analyzes the sound poems of Cobbing and Jandl as well as making comparisons to Zen. -- Source of annotation: Marvin or Ruth Sackner.

Several shaped typewriter poems by Claude Cahun are reproduced from her previously unpublished homoerotic, feminist, set in ancient Greek, novel, "Heroines." It was translated by Norman MacAfee from a manuscript written in English and French in 1925. The typings include a mathematical poem, a French shoe, an arc of triumph, punctuation poems and a goblet. Several aphorisms appear in the novel. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Mari Carmen Ramirez and Hector Olea who organized this first large-scale overview of the avant-garde in Latin America during the twentieth century. Many Latin American works predated artistic works from Europe and the United States and challenged traditional notions of art and science. the catalogue and exhibition are organized into six conceptual areas or "constellations": Universal and Vernacular: Play and Grief; Progression and Rupture; Vibrational and Stationary; Touch and Gaze; Cryptic and Committed. Leon Ferrari contributed an illustrated essay "The Written Word." Hector Olea's illustrated essay on Leon Ferrari is titled "From the Drawing to Texts to the Texture of Poetry." -- Source of annotation: Marvin or Ruth Sackner.

A biography of Tilson is printed on each page of the catalogue with the art projects created during that time frame. Photographic reproductions of pages from Tilson's periodicals, Cipher and Atlas, are included in this catalogue. These periodicals are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.