Critical text
Found in 3308 Collections and/or Records:
Bucher, Graphik und "Die Doktorabeit" Arbeiten seit 1968 / Gojowczyk, Hubertus., 1986
Buchkultur in Mainz: Schrift Druck Buck Im Gutenberg-Museum / Hans Adolf Halbey, curator., 1985
Examines the history of the written and printed word and the relationship of words and images from two thousand B.C. to the mid-twentieth century. -- Source of annotation: Marvin or Ruth Sackner.
Buchobjekte / Pfister, Dietmar., 2003
The catalogue depicts book-objects. -- Source of annotation: Marvin or Ruth Sackner.
Buchstaben Sind Nomaden - Bruchstaben Sind Monaden: Letters Are Nomads - Splitters Are Monads / Daniel, Peter ; Jabes E ; Sackner MA ; Sackner RK ; Schmidt B., 1998
Two works held by the Sackner Archive are depicted: "Letter Heap [Accumulation of consonants]" and "The Unbreakable Yud [Letter Isolation]." -- Source of annotation: Marvin or Ruth Sackner.
Bulletin: No.3 (Apollinaire) / Ex Libris ; Apollinaire G ; Survage L., 1982
Bulletin. No.3 / Lissitzky E ; Ballerini L ; Apollinaire G ; Marinetti FT ; Caws MA ; Finlay IH., 1990
Cabinet. No.2/Spr / Lombardi M., 2001
This issue includes a loose fold-out of Mark Lombardi's political diagrammatic poster, "George Bush, Harken Energy and Jackson Stephens c.1979-1980 5th version." -- Source of annotation: Marvin or Ruth Sackner.
Cahiers George Perec, 1985
This book consists of essays on Perec and his work, e.g., Perec and Judaism, sexual aspects to his work, utopian ideas, etc. It also includes annotations and analysis of Perec's book, "Life: A User's Manual," photographic reproductions of manuscript pages, and notes for Perec's books. -- Source of annotation: Marvin or Ruth Sackner.
Cal-ligrames poeticovisuals, 2002
Laura Lopez Fernandez wrote the introduction to this catalogue. She visited the Sackner Archive in December 2002. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphies / Melin, Claude ; Bosseur JY ; Peignot J., 1983
The book reproduces 19 experimental music scores, not intended to be played though according to personal communication with Melin, some have had a hearing. Several are based upon musical instruments like a violin. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy: Hebrew Lettering / Avrin, Leila ; Ophir, Noah., 1993
This book presents samples of classic historical Hebrew texts and scripts designed in the 20th century based on traditional scribal hands. -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.1 / Waters J., 1984
This issue is titled "Calligraphy Idea Exchange." -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.2., 1984
This issue is titled "Calligraphy Idea Exchange." -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.3., 1984
Calligraphy Review. No.4., 1984
This issue is titled "Calligraphy Idea Exchange." -- Source of annotation: Marvin or Ruth Sackner.
Calligraphy Review. No.4 / Shilling P ; Ingmire T ; Hechle A ; Larcher J., 1985
This issue is titled "Calligraphy Idea Exchange." -- Source of annotation: Marvin or Ruth Sackner.
Candid Fields; Essays and Reflections on the Work of Thomas A. Clark / Dent, Peter, editor ; Marvell A ; Clark TA ; Freeman Jo ; Cutts S ; Finlay IH ; Green I ; Stacey R., 1987
The loose sheet consists of a typed poem by Peter Dent entitled "Seaspray." The book includes critical analysis of Clark's poems by John Freeman, Ian Green, and Robert Stacey. Green provides an analysis of Clark's poem "Out of the Wind" using numerical group theory to explain its structure. -- Source of annotation: Marvin or Ruth Sackner.
Cantar Del Huff; A Bilingual Edition, 2006
CAOS [Chaotic Art Orderly Science]; Caotica Arte Ordinata Sciena / Aguiar F ; Banana A ; Baroni V ; Bennett JM ; Bentivoglio M ; Bertola C ; Blaine J ; Bleus G ; Blissett L ; Bruscky P ; Burrus H ; Cavellini GA ; Cohen R ; Collins P ; Deisler G ; Dellafiora D ; Dyar M ; Diotallevi M ; Fierens L ; Fricker H ; Galantai G ; Gini G ; Groh K ; Johnson R ; Held Jjr ; Maggi R ; Manfredini F ; Miglietta E ; Mittendorf A ; Mittendorf H ; Nikonova R ; Olbrich JO ; Padin C ; Pawson M ; Perfetti M ; Perneczky G ; Petasz P ; Pittore-Eurifico C ; Porter B ; Segay S ; spence p ; Stake C ; Binga T ; Tot E ; Lora-Totino A ; Varney E ; Vigo EA ; Arbizzani L ; A1 Waste Paper ; Barbot F ; Barbot G ; Bogdanovic N ; Boschi A ; Bulatov D ; CrackerJackKid ; DeJonge K ; Diamantini C ; Dudek-Durer A ; Espinosa C ; Fedi F ; Fontana G ; Jesch B ; Kamperelic D ; Lehmus J ; Lenoir P ; Liuzzi O ; Morandi E ; Parentela C ; Pignotti L ; Restany P ; Roffi G ; Roncoroni F ; Ruch G ; Saunders R ; Schodl G ; Seifert J ; State of Being ; Shimamoto S ; Strada G ; Tisma A ; Swierkiewicz R ; Summers R ; Stussi M ; Binga T ; Vitacchio A ; Wood R ; Zito R ; Andolcetti F ; Manfredi M., 1999
The exhibition was curated by Ruggero Maggi. The essays and art works in this book all relate to the chaos and fractal theory in mathematics, art and poetry. As Angelo Bertani writes in his essay, On Apparent Order and Chaos, "What seems to be extremely significant is the artist's need (now extremely widespread) to go out from protected, appointed places and instead, contend directly with existence, with the richess of material, with the spaces of life: in this sense, the creeping crisis of painting, the growing prevalence of installations and video-works are a sign, beyond the current fashion of the will to contend with change, accident and the relative: the other names for chaos. Moreover, in a world where technology prevails, perhaps only the ways of art can inser ta fragment of liberty into the oppressive mechanism of necessity." -- Source of annotation: Marvin or Ruth Sackner.