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Critical text

 Subject
Subject Source: Sackner Database

Found in 3303 Collections and/or Records:

Wuz. No.1/Feb / Apollinaire G ; Warhol A ; Maffei G., 2002

 Item
Identifier: CC-42296-44306
Scope and Contents

Laura Fresco Zannini documents the publications of Apollinaire's "Le Poete Assassine." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

X Libris: The Re-Purposed Book / Harriet Bart, curator ; Lohr H ; Nieblich W ; Phillips T ; Beube D ; Helmes S ; Schilling W ; Spector B ; Weber M ; Winston S ; Sackner MA ; Sackner RK., 2009

 Item
Identifier: CC-50177-71241
Scope and Contents

In the forward to the catalogue, Harriet Bart writes that this exhibition "presents the book and the printed page as palimpsest: de-constructed, re-examined, re-marked, re-considered, re-constructed, re-imagined, re-invented, re-purposed." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Xerographica, 1985

 Item — Box 621: [Barcode: 31858072461084]
Identifier: CC-20810-21218
Scope and Contents

Contains an essay by Vittore Baroni, "Towards the Heart of the Machine: Copy Art Today" and another on "Mohammed elogio per un vampiro." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Xerolage: Signographics & Textes. No.18 / Clemente Padin ; Polkinhorn H., 1990

 Item
Identifier: CC-00169-175
Scope and Contents

This issue reproduces Padin's letter poems from 1967-1970. The originals of these poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Yes, No, Maybe / Judith Brodie, curator ; Adam Greenhalgh, curator ; Cage J ; Close C ; LeWitt S ; Marioni T ; Mehretu J ; Owens L ; Steir P., 2013

 Item
Identifier: CC-58227-10001481
Scope and Contents

Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

You Silently (Two) / Marina Warner, curator ; Dawn Ades, curator ; Winston S ; Finlay IH ; Scanlan P ; Krecker D ; Parker G ; Stangos N., 2008

 Item
Identifier: CC-54617-990064
Scope and Contents

Sam Winston's, "Passion" print of the Romeo and Juliet series is depicted. The complete work of this series (6 prints, edition of five) is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Zeroglyphics, 1977

 Item
Identifier: CC-31429-32918
Scope and Contents

Renato Barelli and Giulia Niccolai provide essays on the composition and interpretation of the 18 concrete poems depicted in this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Zeta News: Fiabe al Vento. No.34-35 / Marcello Diotallevi., 1995

 Item
Identifier: CC-29972-31363
Scope and Contents

This issue deals with a critical analysis of the visual poetic kites designed by Diotallevi. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Zur Sache der Konkreten, 2000

 Item
Identifier: CC-35808-37566
Scope and Contents

This book is a selection of critical essays about art and poetry written between 1958 and 2000. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000