Critical text
Found in 3303 Collections and/or Records:
The Graphic Works / Phillips, Tom; Hurrell B., 2000
This postcard portfolio was accompanied a small exhibition of Phillips' graphic works. The images in this suite held by the Sackner Archive included "Wittgenstein's Dilemma," the original drawings of "A Humument on the Hill" and "Give Me Tomorrow" and "Bill Toge Doing Italy" and "the Bank Manger. The Archive also holds "Salman R. as D.I.Y. Zola" in a limited edition print book, "Beatrice: The Magic Number," the drawing of "Dante on Copacabana Beach" from A Dante Diary, and the silkscreen "Sixteen Appearances of the Union Jack." Bill Hurrell contributed as essay on the background of Phillips work. -- Source of annotation: Marvin or Ruth Sackner.
The Great American Poetry Bake-Off: Fourth Series / Peters, Robert, editor ; Higgins D ; Vangelisti P., 1991
Consists mainly of reviews of books by American poets. Includes review of Dick Higgins' Pattern Poetry -- Source of annotation: Marvin or Ruth Sackner.
The Greek Magical Papyri in Translation: Including the Demotic Spells / Betz, Hans Dieter., 1986
The Guadalajara Book Fair, a Festival of Reading / Taibo, Paco Ignacio II., 1996
This is an article written for a travel magazine. -- Source of annotation: Marvin or Ruth Sackner.
The Hekatompathia or Passionate Centurie of Love (1582) / Watson, Thomas ; Heninger Sjr., 1977
This book consists of a facsimile of the poem along with an introductory essay. The previous owner was Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Martha Wilson; S Mallarme; FT Marinetti; G Apollinaire; V Mayakovsky; J Holzer; D Higgins; L Weiner; R Johnson., 2005
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.
The History of Performance Art According to Me / Wilson, Martha; Mallarme S; Marinetti FT; Apollinaire G; Mayakovsky V; Holzer J; Higgins D; Weiner L; Johnson R., 2008
This is a copy of a lecture given by Martha Wilson. It includes a listing of the slides she used to illustrate her historical points or reference. -- Source of annotation: Marvin or Ruth Sackner.
The Hours (flowers in the sky) / Katz, Leandro., 2012
The Idea of the Labyrinth: from Classic Antiquity through the Middle Ages / Doob, Penelope Reed ; Dante., 1990
The Independent Group: Modernism and mass culture in Britain, 1945-59 / Massey, Anne ; Duchamp M ; Ernst M ; Paolozzi E ; Reichardt J ; Cordell M ; Denny R ; Hamilton R ; McHale J., 1995
The Independent Group was a loose collection of artists, designers and writers whose careers were impaired by war, who were bound together in their discussion, exhibitions and published writing by an admiration for continental modernism. At first linked to the European modernism of the ICA in London, the Group proposed a new, fresh approach to cultural analysis and extended the boundaries of their discussions and work in art and design to new technology and liberal American modernism. They were influential in bringing about the erosion of the high/low culture divide by celebrating popular culture and mass produced consumer goods. The author analyzes key exhibitions by the Group that helped popularize their ideas. -- Source of annotation: Marvin or Ruth Sackner.
The Intellectual World / Franklin, Benjamin., 1990
The Italian Sale / Christie's ; Fontana L ; Boetti A ; Fontana G ; Rotella M ; Merz M., 2012
Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.
The John Ashbery Collaboration, 1993 - 2001 / Hammond, Jane ; Jill Snyder, curator ; Ashbery J., 2002
This catalogue depicts 32 paintings, one to a page, inspired by poems by John Ashbery. These paintings reduced to a stamp size and printed with an ink jet color printer were pubished as an artist book, entitled "The Stamp Book' in six copies.The Sackner Archive holds one of these copies. -- Source of annotation: Marvin or Ruth Sackner.
The Kenning Anthology of Poets Theater 1945-1985 / Killian, Kevin, editor ; Brazil, David, editor ; Spicer J ; Olson C ; Ashbery J ; O'Hara F ; Atkins R ; Corso G ; Duncan R ; McClure M ; DiPrima D ; Koch K ; MacLow J ; Thomas L ; Waldman A ; Jones L ; weiss r ; Padgett R ; Weiner H ; Brainard J ; Andrews B ; Waldrop K ; Waldrop R ; Holman B ; Rosenthal B ; Benson S ; Greenwald T ; Harryman C ; Perelman B ; Robinson K ; Grenier R ; Bernstein C ; Drucker J ; Elmslie K ; Scalapino L ; Acker K ; Cha THK., 2010
The Language of Containment / McQueen, John., 1991
McQueen makes concrete poetry forms from woven fiber baskets. -- Source of annotation: Marvin or Ruth Sackner.
The Last Blewointment Anthology (Vol.2: LI-ZO: 1963-1983) / bissett, bill, editor ; Cobbing B ; Nichol bp ; Thibaudeau C ; UU D ; Vroom I ; West D ; Ball H ; Tzara T ; Schwitters K ; Apollinaire G ; Cage J., 1986
Includes concrete poem by David UU on the breath of love, entitled "Verklarte Nacht" meaning Transfigured Night, written in the style of James Joyce with John Cage overtones with employment of neologisms. -- Source of annotation: Marvin or Ruth Sackner.
The Last Supper of Chicano Heroes: Selected Works Of Jose Antonio Burciaga, 2008
The Last Supper of Chicano Heroes: Selected Works Of Jose Antonio Burciaga (Edited by Mimi R. Gladstein and Daniel Chacon) / Burciaga, Jose-Antonio., 2008
The Literary Background of Brazilian Concrete Poetry: The Impact of Pound, Mallarme and Other Major Writers on the "Noigandres" Group / Rodgers, Frederick ; cummings ee ; Zukofsky L ; Johnson R ; Pignatari D ; Novak L ; Thomas D ; DeCampos A ; DeCampos H ; Kostelanetz R ; Mallarme S ; Gomringer E., 1974
Traces the history of the Brazilian concrete poets. -- Source of annotation: Marvin or Ruth Sackner.