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Critical text

 Subject
Subject Source: Sackner Database

Found in 3308 Collections and/or Records:

Stupidity / Ronell, Avital ; Adorno T ; Acker K ; Artaud A ; Barthes R ; Beckett S ; Benjamin W ; Derrida J ; Heidegger M ; Joyce J ; Valery P ; Eckersley R., 2002

 Item
Identifier: CC-51059-72140
Scope and Contents The jacket design was done by Richard Eckersley.Diane Davis Amazon.com. Avital Ronell is one of the most provocative, street-savvy, and theoretically sophisticated thinkers of this age. If you've not yet encountered her explosive work (her other books: Dictations, The Telephone Book, Crack Wars, Finitude's Score), Stupidity will most definitely blow you away. And if you are already a die-hard Ronell fan, Stupidity will ... blow you away. (No amount of prep will brace you sufficiently.) Like Ronell's other works, Stupidity offers a kind of post-critical or nonrepresentational analysis, going after a seemingly recognizable and knowable signifier (stupidity) but tracking it so closely that it quickly becomes unrecognizable, exceeding its object-status, overflowing itself as a concept. Explicitly breaking with scholarly tradition, a tradition that over-values mastery and certitude, Ronell engages her "object" of study at the level of its radical singularity, tracking it through poets,...
Dates: 2002

Subduing Demons in America: Selected Poems 1962-2007, 2008

 Item
Identifier: CC-49491-70537
Scope and Contents Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates: 2008

Sublimato Potabile / Costa, Claudio., 1981

 Item
Identifier: CC-16586-16939
Scope and Contents

The images in this book depict old hand tools. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Super-Writing 1983 - America 1683 / Curtay, Jean-Paul; Isou I; Pomerand G; Lemaitre M; Sabatier R; Spacagna J; Altmann R; Satie A; Canal F; Broutin GP; Grimaud A; Villers F; Blank I., 1983

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Identifier: CC-17830-18200
Scope and Contents

This is a draft of an essay for publication in the exhibition catalog on the occasion of "Lettrisme" held at the University of Iowa Museum in 1983. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Support the Revolution / Berman, Wallace ; Meltzer D ; McClure M., 1992

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Identifier: CC-23764-24211
Scope and Contents

Includes several critical essays and biographic remembrances. An untitled Verifax collage of a Mexican dictator that is depicted on page 56 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Surrealism and the Book / Hubert, Renee Riese ; Iliazd ; Ernst M ; Lohr H ; Trinkewitz K ; Breton A., 1988

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Identifier: CC-08770-8945
Scope and Contents

Major discussion of Iliazd & Ernst's books "Maxmilliana". -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Susan Hiller / Hiller, Susan., 1996

 Item
Identifier: CC-32184-33735
Scope and Contents In the preface, Nicholas Serota and Lewis Biggs write that Susan Hiller "uses ephemeral, everyday objects, telling their stories and extracting new meanings from them, producing art which is both visually stimulating and emotionally compelling." This major exhibition of Hiller's works brings together several of her major works that require viewer participation, shifting from the whole of the art piece to its particular elements and back again to the whole. One of Hiller's major works was installed in MOMA in the exhibition, "The Museum as Muse," which the Sackners viewed in New York. In it, the artist used ordinary materials to evoke moments of cultural, historical and personal disturbance inspired by Sigmund Freud's last home. Her found elements were boxed, labelled and categorized and placed in a large vitrine. Hiller indicated that the boxes "present the viewer with a word (each is titled), a thing of object, and an image or text of chart, a representation. And the three aspects...
Dates: 1996

Swallowing the Scroll / Daly, Lew., 1994

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Identifier: CC-27958-29105
Scope and Contents

The subtitle of the book is Late in a Prophetic Tradition with the Poetry of Susan Howe and John Taggart. The author examines the religious qualities of the poems by these writers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Sweet Dreams; contemporary art and complicity, 2005

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Identifier: CC-48338-69363
Scope and Contents From the inside flap of the book: Johanna Drucker's "sweet dream" is for a new and more positive approach to contemporary art. Drucker argues that contemporary art is fully engaged with material culture"”yet still struggling to escape the oppositional legacy of the early-twentieth-century avant-garde. She calls for a revamping of the critical vocabulary used to discuss art into one more befitting current creative practices.Drucker shows that artists today are aware of working within the ideologies of mainstream culture and have replaced avant-garde resistance with acknowledged complicity. Finding their materials at malls and superstores or exploring celebrity culture, contemporary artists have created a vibrantly playful attitude towards mass culture"”all while critics continue to cling to an outmoded vocabulary of opposition and radical negativity that defined modernism's avant-garde. At the cutting edge of new media research, Drucker surveys a wide range of exciting contemporary...
Dates: 2005