Critical text
Subject
Subject Source: Sackner Database
Found in 3303 Collections and/or Records:
Stockholm All-Electric Sound / Cobbing, Bob; MacBeth G; Hodell A; Heidsieck B; Hanson S; Chopin H; Johnson BE; Novak L; Giorno J., 1969
Item
Identifier: CC-17663-18031
Scope and Contents
The theme of this work is "Where id Eldridge Cleaver?" -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1969
Stommeln Synagogue, 1997
Item — Box 317: [Barcode: 31858072490844]
Identifier: CC-29743-31120
Scope and Contents
The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1997
Storie di Ordinaria Scrittura 1970-1987 / Binga, Tomaso., 1987
Item
Identifier: CC-21400-21811
Strojopisy A Grafika / Hula, Jiri., 1987
Item
Identifier: CC-08941-9117
Stuart Passed This on to Me / curry, jw., 1979
Item
Identifier: CC-20343-20740
Scope and Contents
This a reply to Maurice Mireau's letter, New Hope for Pimply Boys in Mondo Hunkamooga #7. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1979
Studio Brescia Exhibition Catalog: Disegni & Collages. No.2 / Raoul Hausmann ; Bory JF., 1972
Item
Identifier: CC-37839-39719
Scope and Contents
Bory wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1972
Studio Brescia Exhibition Catalog: Interventi. No.17 / Sarenco ; Apicella R., 1974
Item
Identifier: CC-02870-2914
Studio Brescia Exhibition Catalog: Longlife to Piero Manzoni!. No.7 / Piero Manzoni ; Sarenco., 1973
Item
Identifier: CC-37840-39720
Scope and Contents
Sarenco wrote the introductory essay and a facsimile of his handwritten inscription is reproduced on the first page. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1973
Studio Brescia Exhibition Catalog: Poesia Visiva. No.8 / Luciano Ori ; Deisler G., 1973
Item
Identifier: CC-31779-33293
Studio Brescia Exhibition Catalog: Poesia Visiva. No.10 / Lucia Marcucci ; Apicella R., 1973
Item
Identifier: CC-37848-39728
Studio Brescia Exhibition Catalog: Poesia Visiva. No.11 / Paul De Vree ; Apicella R., 1973
Item
Identifier: CC-37847-39727
Studio Brescia Exhibition Catalog: Poesia Visiva. No.12 / Michele Perfetti ; Apicella R., 1973
Item
Identifier: CC-48162-69185
Studio Brescia Exhibition Catalog: Questioni dell'arte. No.16 / Eduardo Arroyo ; Eugenio Miccini ; Aldo Mondino ; Sarenco., 1974
Item
Identifier: CC-33281-34914
Studio Inquadrature 33: Poesia Visiva Internazionale. No.3/Nov / Alain Arias-Misson ; Michele Perfetti ; Sarenco ; Apicella R., 1973
Item
Identifier: CC-31608-33107
Scope and Contents
The introductory essay was written by Rossana Apicella. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1973
Studio Inquadrature 33: Poesia Visiva Internazionale. No.13/Mar / Luciano Ori ; Deisler G., 1974
Item
Identifier: CC-31610-33109
Scope and Contents
The introductory essay was written by Guillermo Deisler. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1974
Studio International. No.957/Jul-Aug / Phillips T., 1973
Item
Identifier: CC-02099-2137
Scope and Contents
Cover for this issue was specially designed by Tom Phillips. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1973
Stupidity / Ronell, Avital ; Adorno T ; Acker K ; Artaud A ; Barthes R ; Beckett S ; Benjamin W ; Derrida J ; Heidegger M ; Joyce J ; Valery P ; Eckersley R., 2002
Item
Identifier: CC-51059-72140
Scope and Contents
The jacket design was done by Richard Eckersley.Diane Davis Amazon.com. Avital Ronell is one of the most provocative, street-savvy, and theoretically sophisticated thinkers of this age. If you've not yet encountered her explosive work (her other books: Dictations, The Telephone Book, Crack Wars, Finitude's Score), Stupidity will most definitely blow you away. And if you are already a die-hard Ronell fan, Stupidity will ... blow you away. (No amount of prep will brace you sufficiently.) Like Ronell's other works, Stupidity offers a kind of post-critical or nonrepresentational analysis, going after a seemingly recognizable and knowable signifier (stupidity) but tracking it so closely that it quickly becomes unrecognizable, exceeding its object-status, overflowing itself as a concept. Explicitly breaking with scholarly tradition, a tradition that over-values mastery and certitude, Ronell engages her "object" of study at the level of its radical singularity, tracking it through poets,...
Dates:
2002
Subduing Demons in America: Selected Poems 1962-2007, 2008
Item
Identifier: CC-49491-70537
Scope and Contents
Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates:
2008
Sublimato Potabile / Costa, Claudio., 1981
Item
Identifier: CC-16586-16939
Scope and Contents
The images in this book depict old hand tools. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1981
Subvers: On Language. No.8/Aug / Herman de Vries., 1972
Item
Identifier: CC-31408-32896