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Critical text

 Subject
Subject Source: Sackner Database

Found in 3293 Collections and/or Records:

reading visual poetry / Bohn, Willard ; Albert-Birot P ; Cansinos-Asens R ; deTorre G ; Huidobro V ; Bauitista J ; delVando-Vilar I ; Raida P ; Nimero A ; Vighi F ; Quintanilla L ; Novo S ; Gonzalez deMendoza JM ; Frias JD ; Hidalgo A ; Girondo O ; Tzara T ; Breton A ; Scurto I ; Masnata P ; Crali T ; DeCampos A ; DeCampos H ; Pignatari D ; Grunewald JL ; Kac E ; Sackner MA ; Sackner RK ; Puche E ; Apollinaire G., 2011

 Item
Identifier: CC-52069-73171
Scope and Contents It should be noted that Bohn does not differentiate concrete poetry (words only in Sackner's definition) from visual poetry (integrated words and images in Sackner's definitions). Bohn also includes a chapter on digital poetry. The back cover reads the following. "Visual poetry can be defined as poetry that is meant to be seen. Combining painting and poetry, it attempts to synthesize the principles underlying each discipline. Visual poems are immediately recognizable by their refusal to adhere to a rectilinear grid and by their tendency to flout their plasticity. In contrast to traditional poetry, they are conceived not only as literary works but also as works of art. Although they continue to provide visual cues that aid in deciphering the text, they function simultaneously as visual compositions. Whether the visual elements form a rudimentary pattern or whether they constitute a highly sophisticated design, they transform the poem into a picture. Reading Visual Poetry examines...
Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Reasons to Be Cheerful: The Life and Work of Barney Bubbles edited by Paul Gorman / Bubbles, Barney ; Saville P ; Beck J ; Bedford D ; Brown P ; Medalla D ; VanDoesburg T ; Edmonds T ; Ginsberg A ; Glaser M ; Kitaj R ; Lissitzky E., 2008

 Item
Identifier: CC-51198-72286
Scope and Contents Colin Fulcher aka Barney Bubbles (30 July 1942 - 14 November 1983 death by suicide) was a radical English graphic artist, whose work primarily encompassed the disciplines of graphic design, painting and music video direction. He is most renowned for his distinctive contribution to the graphic design associated with the British independent music scene during the 1970s and early 1980s. His symbol-laden and riddle-laden record sleeves were his most visible output.Hellorinis "Hellorinis" Amazon.com writes: "I was not at all familiar with Barney Bubbles the designer. I knew some of the images by Bubbles but the story and the context of his work is incredibly interesting. I was not prepared for the superb quality of both the book's design and the quality of scholarship and research put into it. This is a hardcover book with lots of text combined with images, and filled with stories from those who were part of the various scenes Barney had participated in. Printed in excellent paper....
Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Rebound: Dissections and Excavations in Book Art / Karen Ann Myers, curator ; Beube D ; Dettmer B., 2013

 Item
Identifier: CC-59782-10002839
Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Rebus / Afrika (Sergei Bugaev) ; Mayakovsky V ; Cameron D., 1994

 Item
Identifier: CC-26790-27260
Scope and Contents

Published in conjunction with Afrika's 1995 exhibition at the Osterreichisches Museum fur angewandte Kunst in Vienna. The folded sheets, placed in the bound-in envelope, contain eight rebuses each. The soft cover book is also bound into the folder. The brown paper used throughout is reminiscent of the paper in Russian Avant Garde books from 1910-1930. This book describes and depicts the copper engraved work of Afrika. It serves as an introduction to Afrika's copper book of engraved rebuses that is held by the Sackner Archive. There were 500 other copies not held by the Sackner Archive that included one copper plate. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Rebus Paintings / Hammond, Jane., 2003

 Item
Identifier: CC-48590-69621
Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Recent Experiments in Holopoetry and Computer Holopoetry, 1991

 Item
Identifier: CC-08058-8218
Scope and Contents

Kac comments on "Adrift," a holographic poem commissioned for the Sackner Archive. It is composed of 7 words that dissolve into space along the Z axis as the viewer reads them back and forth. The letters that make up the words are floating freely along the Z axis except for the word "breathe," which is somewhere integrated into the overall light field. This word blows life to the other words as its letters actually move away from their original position to dissolve again into the light field. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Recent Paintings / Herbert, Albert., 1994

 Item
Identifier: CC-09738-9931
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Recent Work / Kenny, Chris., 2000

 Item
Identifier: CC-42910-44953
Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Recenti Zeroglifici / Spatola, Adriano ; Barelli R ; Oliva AB., 1985

 Item
Identifier: CC-31430-32919
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Recriacoes Augustas / Anonymous; DeCampos A; DeCampos H; Pignatari D., 1986

 Item
Identifier: CC-27167-27642
Scope and Contents

Consists of a review of DeCampos book "Anticritico". -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Rediscovered Avant-Gardes in Painting / Satie, Alain., 1999

 Item
Identifier: CC-32467-34041
Scope and Contents

Subtitled "concerning the sclerosis of a rudderless art world and the means of reaffirming its fundamental principle: Creation. A response to the Detractors of Contemporary Art." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Reduchamp, 1976

 Item
Identifier: CC-14885-15198
Dates: 1976
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Reflex / Muniz, Vik., 2006

 Item
Identifier: CC-44573-46726
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Reflexe / Eckart, Frank., 2000

 Item
Identifier: CC-39062-41000
Dates: 2000
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Re/form: art - law - justice / Tipping R., 1998

 Item
Identifier: CC-30730-32175
Scope and Contents

This exhibition from the Griffith University art collection was organized into categories such as Indigenous Australians, Women and the Law, Gay and Lesbian Rights, Legislating for the Environment and Copyright and Intellectual Property. Four works by Richard Tipping are exhibited in the last category including "Meat Mart" that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

regarde de tous tes yeux regarde; l'art contemporain de Georges Perec / Jean-Pierre Salgas, curator ; Perec G ; Duchamp M ; Andre C ; Boltanski C ; Calle S ; Closky C ; Darboven H ; Erro ; Feldmann HP ; Hains R ; Kabakov I ; Kawara O ; LeWitt S ; Matta-Clark G ; Opalka R ; Rosler M ; Ruscha E ; Villegle J., 2008

 Item
Identifier: CC-48907-69945
Scope and Contents

This exhibition was carried out as a homage to Georges Perec. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Regenerativ / Koehler, Reinhold ; Riha K., 1990

 Item
Identifier: CC-07759-7911
Scope and Contents

Also designated Vergessene Autoren der Moderne No.45. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Regina Silveira / Silveira, Regina., 2011

 Item
Identifier: CC-52748-73885
Scope and Contents

This book features works by Silveira dating from 1996 on and does not discuss her earlier poetic and rubberstamped works. A large number are gallery installations and outdoor pieces.. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Reinventing the Wheel / Helfand, Jessica ; Apianus P ; Duchamp M ; Eggers D ; Acconci V ; Apollinaire G ; Hesse E., 2004

 Item
Identifier: CC-42292-44302
Scope and Contents This book served as the catalogue at the Grolier Club exhibition in New York but was published one year before the exhibition. The Sackner Archive lent two works to the exhibition.tSTEP inside design, March/April 2003 review: Lately I've been indulging in books of unusual visual richness, and for me the most exhilarating illustrated book of the season is Jessica Helfand's Reinventing the Wheel. Helfand is a designer, a scholar, and as the book shows in spades a passionate collector of ephemera. The ephemera in question here are those odd wheel charts widely used from the 1920s to 1960s for purposes as diverse as telling fortunes, managing diets, identifying birds, spotting aircraft, charting the stars, and learning French grammar (remember the Cuthbertson Verb Wheel?). Helfand's gorgeously designed book reproduces more than a hundred of these volvelles, as hey're technically known, traces their history back to early astronomy indeed to the properties of the circle itself as a...
Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Remastered / Muniz, Victor., 2005

 Item
Identifier: CC-49411-70456
Dates: 2005
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

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