Critical text
Found in 3293 Collections and/or Records:
Poesies experimentales - Zone numerique (1953-2007) / Donguy, Jacques ; Accame F ; Acconci V ; Achleitner F ; Acker K ; Adler J ; Aguiar F ; Albert-Birot A ; Altmann R ; Amirkhanian C ; Anderson L ; Andre C ; Apollinaire G ; Arakawa ; Arias-Misson A ; Arman ; Armleder J ; Arp H ; Artaud A ; Artmann HC ; Aubertin B ; Balestrini N ; Ball H ; Balla G ; Barry R ; Barthes R ; Beach M ; Beckett S ; Belloli C ; Beltrametti F ; Ben ; Benjamin W ; Bense M ; Berge C ; Berlewi H ; Berio L ; Bertini G ; Bertrand JP ; Blaine J ; Boccioni U ; Boisnard P ; Bolliger H ; Bonito-Oliva A ; Bory JF ; Brecht G ; Bremer C ; Breton A ; Broodthaers M ; Brossa J ; Bruscky P ; Burda V ; Butor M ; Burroughs WS ; Cage J ; DeCampos A ; DeCampos H ; Cangiullo F ; Carrega U ; Caruso L ; deCharmoy C ; Chopin H ; Clark L ; Claus CF ; Cobbing B ; Corfou M ; Corner P ; Corso G ; cummings ee ; Damen H ; Debord G ; Degottex J ; Deisler G ; Dencker KP ; Depero F ; Derrida J ; DeVree P ; Donguy J ; Dotremont C ; Dreyfus C ; Duchamp M ; Dufrene F ; Duke JH ; Dupuy J ; Dutton P ; Ehrenberg I ; Fahlstrom O ; Fencott PC ; Ferlinghetti L ; Ferrando B ; Ferrari V ; Filliou R ; Finlay IH ; Flynt H ; Fontana G ; Furnival J ; Gappmayr H ; Garnier I ; Garnier P ; Gerz J ; Gette PA ; Ginsberg A ; Giorno J ; Goeritz M ; Goll Y ; Gomringer E ; Gosewitz L ; Grunewald JL ; Gysin B ; Hains R ; Hanson S ; Hatherly A ; Hausmann R ; Havel V ; Heidsieck B ; Heissenbuttel H ; Hendricks B ; Hennigs E ; Hidalgo J ; Higgins D ; Hirsal J ; Hoch H ; Hodell A ; Hollo A ; Houedard DS ; Hubaut J ; Huelsenbeck R ; Huidobro V ; Iliazd ; Isgro E ; Isou I ; Ito M ; Janco M ; Jandl E ; Janicot F ; Johnson BE ; Jorn A ; Joyce J ; Kac E ; Kaprow A ; Kassak L ; Khlebnikov V ; Kitasono K ; Knowles A ; Kolar J ; Kostelanetz R ; Kosuth J ; Kriwet F ; Kruchenykh A ; LaRocca K ; Lax R ; Leger F ; Lebel JJ ; Landi L ; Lemaitre M ; Leveque JJ ; Lewis WP ; Lijn L ; Lissitzky E ; Lista G ; Lora-Totino A ; Maciunas G ; MacLow J ; Mayakovsky V ; Malevich K ; Mallarme S ; Ray M ; Marchetti W ; Marcucci L ; Marinetti FT ; Martel R ; Martini SM ; Mathews H ; Mayer H ; McCaffery S ; McClure M ; McLuhan M ; Melo E Castro EM ; Miccini E ; Minarelli E ; Mohr M ; Mon F ; Morgan E ; Munari B ; Nagy P ; Nannucci M ; Nichol bp ; Niccolai G ; Novak L ; Oberto A ; Oberto M ; Ono Y ; Ori L ; Ox J ; Padin C ; Paik NJ ; Paolozzi E ; Papp T ; Parmiggiani C ; Patterson B ; Pelieu C ; Perec G ; Perfetti M ; Pey S ; Phillips T ; Picabia F ; Pignatari D ; Plaza J ; Polkinhorn H ; Pomerand G ; Porter B ; Queneau R ; Rauschenberg R ; Reichardt J ; Restany P ; Roth D ; Rotella M ; Rothenberg J ; Ruhm G ; Russolo L ; Sa A ; Sabatier R ; Sarenco ; Saussure F ; Schneemann C ; Schraenen G ; Schulz T ; Schwarz D ; Schwitters K ; Niikuni S ; Seuphor M ; Severini G ; Sharits P ; Sharkey JJ ; Shimizu T ; Sitta C ; Smith P ; Soffici A ; Sohm H ; Solt ME ; Soupault P ; Spacagna J ; Spatola A ; Spoerri D ; Stein G ; Takahashi S ; Themerson S ; Thomas D ; Tipping R ; Todorovic M ; Tola L ; Tschichold J ; Tudor D ; Tzara T ; Ulrichs T ; Vaccari F ; Valoch J ; VanDoesburg T ; Vangelisti P ; VanOstaijen P ; Varese E ; Verdi F ; Vigo EA ; Villa E ; Villegle J ; Voss J ; Vostell W ; Vroom I ; Warhol A ; Watts R ; Wendt L ; Werkman HN ; Williams E ; Williams J ; Wittgenstein L ; Wolman G ; Xisto P ; Young L ; Zaj ; Zurbrugg N ; Zweig E ; Sackner MA ; Sackner RK ; Boltanski C ; Conz F ; Noel A ; Leirner B., 2007
Poeta Visual, 1998
Victoria Combalia writes in her essay The Disturbing Objects of Joan Brossa that "certain themes on Brossa's work are easily recognized as 'Brossian': masks, letters of the alphabet, ordinary objects from daily life, playing cards...Perhaps the most important motif - or at the least the most utilized - by Brossa are letters of the alphabet. Brossa works with them as Cezanne did with his apples; he uses them in every way and in all places, as they are for him his dearest motif." In terms of his visual poetry, Combalia states that it "belongs to the long tradition of experimental poetry, in the line that goes from Mallarme to concrete poetry." -- Source of annotation: Marvin or Ruth Sackner.
Poeti Del Vedere / Albani P ; Bertola C ; Blank I ; Caruso L ; Diotallevi M ; Faietti A ; Fedi F ; Gini G ; Gut E ; Lora-Totino A ; Maggi R ; Manfredi M ; Marcucci L ; Miccini E ; Oberto M ; Perfetti M ; Pignotti L ; Roffi G ; Sanesi R ; Sarenco ; Schodl G ; Tola L ; Vitacchio A ; Andolcetti F ; Benfenati A ; Bentivoglio M ; Diamantini C ; Finotti C ; Fontana G ; Francia C ; Magro F ; Martini SM ; Pavanello G ; Savoi A., 1998
This exhibition is a homage to the poet Giacomo Leopardi. The collage by Alessandro Benfenati depicts the profile of a young woman's head covered with calligraphic text of a poem by Leopardi. -- Source of annotation: Marvin or Ruth Sackner.
Poeti XXL a Chiari / Carrega U ; Fontana G ; Sarenco ; Blaine J ; Bory JF ; Garnier P ; Millan F ; Novak L ; DeVree P ; Clavin H ; Isou I ; Barthes R ; McLuhan M ; Williams E., 2006
Poetic License: Essays on Modernist and Postmodernist Lyric , 1990
Poetic Object, The / Berman W ; Cross D ; Herms G ; Jess ; Saar B., 1988
Poetic? Poetique? / Venet, Bernard., 2017
Poetica e Visualidad / Menezes, Philadelpho ; Gullar F ; Azeredo R ; DeCampos A ; Pignatari D ; DeCampos H ; Dias-Pino W ; Xisto P ; Braga E ; Menezes P., 1991
Menezes provides a critical review of Brazilian concrete poetry and its evolution, e.g., visual poetry, semiotic poetry, poema-processo, photomontage poetry, etc. -- Source of annotation: Marvin or Ruth Sackner.
Poeticas Visuais / Julio Plaza, curator ; Spatola A ; Arias-Misson A ; Etlinger A ; Banana A ; Danon B ; Cleveland B ; Padin C ; Higgins D ; Tot E ; Mairey F ; Cook G ; Pazos C ; Milliken DP ; Vigo EA ; Duch LF ; Ulrichs T ; Vater R ; Todorovic M ; Marin J ; Plaza J., 1977
This exhibition, which was curated by Julio Plaza, featured an extensively illustrated exhibition catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Poetics and Visuality; a trajectory of contemporary brazilian poetry / Menezes, Philadelpho ; Harry Polkinhorn, translator ; Gullar F ; Azeredo R ; DeCampos A ; Pignatari D ; DeCampos H ; Dias-Pino W ; Xisto P ; Braga E ; Menezes P., 1994
Polkinhorn provides an English translation of Menezes' "Poetica e Visualidad," that was first published in 1991. The latter is held by the Sackner Archive. Menezes provides a critical review of Brazilian concrete poetry and its evolution, e.g., visual poetry, semiotic poetry, poema-processo, photomontage poetry, etc. -- Source of annotation: Marvin or Ruth Sackner.
Poetics Journal: Close Reading. No.2 / Barrett Watten, Lyn Hejinian, editors ; Watten B ; Silliman R ; Hejinian L ; Harryman C ; Benson S ; Drucker J ; MacLow J ; Davies A ; Andrews B ; Harwood L ; Howe S., 1982
Poetics Journal: Elsewhere. No.8/Jun / Barrett Watten, Lyn Hejinian, editors ; Prigov D ; Hejinian L ; Benson S ; Harryman C ; Howe F ; Brossard N ; Green P ; Moriarty L ; Scalapino L ; Artaud A ; Barthes R ; Tarn N ; Watten B., 1989
This issue deals with international trends in experimental poetry and prose. Laura Moriary reviews five poems dealing with Sex and Language that appeared in Camera from 1984-1986. -- Source of annotation: Marvin or Ruth Sackner.
Poetics Journal: Knowledge. No.10/Jun / Barrett Watten, Lyn Hejinian, editors ; Silliman R ; Scalapino L ; Retallack J ; Stein G ; Barone D ; Smith R ; Creeley R ; Grenier R ; Rosenberg J ; Hejinian L ; Watten B ; Robinson K ; Harryman C ; Ashbery J ; Gottlieb M., 1998
Poetics Journal: Marginality: Public & Private Language. No.6 / Barrett Watten, Lyn Hejinian, editors ; Watten B ; Perelman B ; Andrews B ; Robinson K ; MacLow J ; Drucker J ; Howe F ; Rasula J ; Pound E ; Lemaitre M ; Winters R., 1986
Johanna Drucker reviews Maurice Lemaitre's "La Plastique Lettriste et Hypergraphique" (1956). Robin Winters designed the back cover. -- Source of annotation: Marvin or Ruth Sackner.
Poetics Journal: Non/Narrative; Symposium On Narrative Poets Theatre. No.5/May / Barrett Watten, Lyn Hejinian, editors ; Benson S ; Scalapino L ; Friedman E ; Piombino N ; McCaffery S ; Cheek C ; Harryman C ; Robinson K ; Davies A ; Bromige D ; Perelman B ; Eco U ; Voight A ; Schelling D ; Antin D ; Andrews B ; Bernstein C ; Perloff M., 1985
Ed Friedman describes his techique for writing "Space Stations," a graphic cut-up novel. Andrew Schelling reviews David Antin's "Tuning" and David Bromige reviews Bruce Andrews & Charles Bernstein's "The L=A=N=G=U=A=G=E book." -- Source of annotation: Marvin or Ruth Sackner.
Poetics Journal: Poetry & Philosophy. No.3 / Lyn Hejinian, Barrett Watten, editors ; Bernstein C ; Fisher A ; Bromige D ; Noel B ; Davies A ; Watten B ; MacLow J ; Silliman R ; Rasula J ; Zukofsky L ; Perec G ; Queneau R ; Goodman L., 1983
Lanie Goodman contributes an insightful essay on Georges Perec who died on March 10, 1982. -- Source of annotation: Marvin or Ruth Sackner.
Poetics Journal: Postmodern?. No.7/Sep / Barrett Watten, Lyn Hejinian, editors ; Silliman R ; Acker K ; Polkinhorn H ; Scalapino L ; Winters R ; Fisher A ; Davies A ; Simas J ; Bernstein C ; Moriarty L ; Benson S ; Watten B ; Lissitzky E ; McCaffery S ; Andre C ; Prince R., 1987
Poetics Journal: The Person. No.9/Jun / Barrett Watten, Lyn Hejinian, editors ; Bernstein C ; Scalapino L ; Silliman R ; Beltrametti F ; Howe S ; Creeley R ; Inman P ; Hejinian L ; Robinson K ; Stein G ; Darragh T ; Weiner H ; Cage J ; Harryman C., 1991
Poetics Journal: Women & Language. No.4 / Lyn Hejinian, Barrett Watten, editors ; Burke C ; Stein G ; Loy M ; Scalapino L ; Drucker J ; MacLow J ; Zweig E ; Hejinian L ; Acker K ; Howe S ; Laufer S ; Acker K ; Harryman C., 1984
Johanna Drucker contributes an essay "Women & Language" that discusses gender differences in literature. -- Source of annotation: Marvin or Ruth Sackner.
poetics@ / Kuszai, Joel, editor ; Bernstein C ; Creeley R ; Higgins D ; MacLow J ; Perloff M ; Rothenberg J ; Scalapino L ; Selby S ; Blaser R ; Joris P ; Lazer H ; Murphy S ; Silliman R ; Quartermain P ; Rasula J., 1999
The material from this book includes 1133 e-mails from 67 writers. In the preface, Charles Bernstein writes that this book "provides a window onto an ongoing, highly articulate, intensely percolating poetics-in-the-making that is a fundamental feature of the most engaging and active poetry of our time." -- Source of annotation: Marvin or Ruth Sackner.