This issue consists of a catalogue for an exhibition of abstract sculptures by Claudio Costa. -- Source of annotation: Marvin or Ruth Sackner.

This collection of essays was published to honor Henri Chopin at the 18th Marche de la Poesie, Place Sainat-Sulpice, Paris, June 2000. The book also reproduces two typewriter poems by Chopin. -- Source of annotation: Marvin or Ruth Sackner.

One of the works exhibited and depicted in this catalogue is the "Stamp Book," edition pf six, that is held by the Sackner Archive -- Source of annotation: Marvin or Ruth Sackner.

This is one of six books with an identical cover distinguished by the location of an arrow pointing to a title on the cover. -- Source of annotation: Marvin or Ruth Sackner.

On page 3, Gaburo prints the following: When asking students the question: Why do you want to compose? the best answer given to me thus far has been: "I HAVE NO CHOICE!" -- Source of annotation: Marvin or Ruth Sackner.

This exhibition included the works of Dufrene, Aubertin, Blaine, Chopin, Dupuy, Hains, Heidsieck, Kolar, Mendonca, and Pelieu. In the section on Joel Hubaut, it is mentioned that an installation was prepared for "The Beauty in Breathing," an exhibition from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Andrews states that this book is divided into three sections. "The first, POSITION, sets out an overall personal perspective in a sequence of summary statements on poetics, ending with efforts to drive the question of meaning into a trajectory of social embodiment, dialog, & resistance. The second, VERB, offers a parallel record of interviews & symposia responses on a clutch of related themes, with an eye toward recharting the 'socially possible' through language & (more) radical praxis. And the third, BODY, makes a mosaic out of pieces on a variety of postwar English-language poetries & matters up for grabs in reading (& thus personally reconvening & rewriting) them." -- Source of annotation: Marvin or Ruth Sackner.

Article is adapted from author's presentation at the Artists' Books Conference, Boston 1985. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition that was curated by Lucilla Sacca is subtitled "Firenze: Storia di una Rivoluzione Colta (1960-1980). In Ori's biography, it is mentioned that the Sackner Archive holds his works. The works in the exhibition catalogue are extensively annotated by the curator. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts the highest quality images and the most in depth coverage of word-image art. Many of the multiple pieces depicted in this catalogue are held by the Sackner Archive. The 1986 Sackner Archive catalogue is listed in "Testi critici e repertori." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive is mentioned in a listing of archives of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provided listing of the works in the exhibition and 18 illustrations. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of 83 artist books depicted in color by Italian artists/poets was curated by Franco Spena. Apolloni's book object "Ti amo all'infito" (1999) of a wooden closed suitcase with a painted calligraphic caption is the same as that held by the Sackner Archive with a different caption. Another copy of Elizabetta Gut's "Little Book in a Cage" (1981) that is held by the Sackner Archive is depicted on page 74. -- Source of annotation: Marvin or Ruth Sackner.