Scope and Contents

In the prologue of this book, the beginning of Oulipo (Ouvroir de litterature potentielle or Workshop for Potential Literature) is described. While Raymond Queneau was creating his work "100,000,,,000,000,0000 Poems, he asked Francois Le Lionnais for advice with problems he was having. Their discussions led to a wider consideration of the role of mathematics in literature and eventually to the creation of Oulipo in 1960. The book is described as a late 20th century kabala and a labyrinth of literary secrets and survey of an original, provocative and productive literary group. This book includes a translation of Queneau's 100,000,000,000,000 Poems, Jacques Roubaud's account of Oulipian history and practice, full documentation of Oulipian writing techniques, a glossary of Oulipian terms, and an analysis of important Oulipian works, such as Perec' Life A User's Manual. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Raymond Queneau's poem "100,000,000,000,000 Poems" is reproduced in the prologue. While Queneau was completing the work, he asked Francois Le Lionais for advice with problems he was having. Their discussions led to a wider consideration of the role of mathematics in literature and, eventually, to the creation of Oulipo." Initially the group attempted to learn the possibilities of incorporating mathematical structures in literary works. Later this was expanded to include all writing that was subjected to severly restrictive methods. Also designated Atlas Arkive No.6.The Sackner Archive also holds the ordinary edition of this book.Jacques Roubaud contributes an introduction "The Oulipo and Combinatorial Art (1991)." The alphabetical compendium begins with Abish and ends with Zoopictural classification and includes Oulipo and two associated groups the Oulipopo and the Oupeinpo."Life a User's Manual" by George Perec is described by the author including two diagrams. -- Source of...

Scope and Contents

In the prologue of this book, the beginning of Oulipo (Ouvroir de litterature potentielle or Workshop for Potential Literature) is described. While Raymond Queneau was creating his work "100,000,,,000,000,0000 Poems, he asked Francois Le Lionnais for advice with problems he was having. Their discussions led to a wider consideration of the role of mathematics in literature and eventually to the creation of Oulipo in 1960. The book is described as a late 20th century kabala and a labyrinth of literary secrets and survey of an original, provocative and productive literary group.This book includes a translation of Queneau's 100,000,000,000,000 Poems, Jacques Roubaud's account of Oulipian history and practice, full documentation of Oulipian writing techniques, a glossary of Oulipian terms, and an analysis of important Oulipian works, such as Perec' Life A User's Manual. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The composition books of Charles Crumb are described as "books with hundreds of pages of inscrutable pen marks, in series of wiggly lines, m's of n's, or just dots. These 'secret writings' may have been decipherable to him, but they remain a mystery to those he left behind." The Sackner Archive holds one of these composition notebooks. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive holds three unique artist books by Purvis Young, the Miami artist who is the subject of this article. -- Source of annotation: Marvin or Ruth Sackner.

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Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.

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This record is No.7 of a sound poetry series entitled "Radiotaxi: vibrazioni del sonoro." It was reissued in a CD format in 2003 by Al Dante. -- Source of annotation: Marvin or Ruth Sackner.

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Geof Huth contributes an essay titled "What We Make of Poetry Even When It Is Poetry That We Make." In it he defines visual poetry and fidgetglyphs which he describes as simple doodled visual poems that are neat, careful and controlled instead of imbued with a studied messiness. Twenty-five pages of fidgetglyph poems are included in this issue. -- Source of annotation: Marvin or Ruth Sackner.

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The poem by contributed by da levy in this anthology is an autobiographical account of his growing-up and his Jewish experience with his father. -- Source of annotation: Marvin or Ruth Sackner.

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This is the 2nd edition of the the book that was originally publisHed by 7 Flowers Press. The cover print was done by MaRa. This is stored in d.a.levy 7 Flowers box.It was considered one of the allegedly obscene books and seized by the Cleveland police in December 1966. -- Source of annotation: Marvin or Ruth Sackner.

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The exhibition was carried out in conjunction with the Bibliotheque Litteraire Jacques Doucet in Paris. -- Source of annotation: Marvin or Ruth Sackner.

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Cluver analyzes Ivo Vroom's "Homage to Mondrian," with respect to the painting "Victory Boogie-Woogie," including the way that typewriter poetry reproduces the features of the painting. Cluver also compares Haroldo DeCampos' type Concrete Poem "branco branco..." to Mondrian's "Composition with Red and Black" of 1936. -- Source of annotation: Marvin or Ruth Sackner.

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The bright colored, complex paintings of Lari Pittman often incorporate brief referential texts, logoraphs and images of male and female genitalia. This was his first European exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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Some of Sorf's surrealistic paintings include handwriting and micrography superimposed on portraits or still lifes. Miroslav Klivar contributed the introduction. -- Source of annotation: Marvin or Ruth Sackner.