Correspondence art
Found in 1825 Collections and/or Records:
Ten Documents (1973-80) / Tot, Endre., 1980
In this limited edition of the book, all pages and the cover of the folder are stamped with the facial portrait of Tot surrounded by the phrase, "documents make me glad." -- Source of annotation: Marvin or Ruth Sackner.
Tensetendoned. No.6/Jun / Michael B. Corbett, editor ; Bleus G ; Lenoir P ; Padin C ; Tisma A ; Gomez A ; Corpa ; Olbrich JO ; Graf H ; Deisler G ; CrackerJackKid ; Kamperelic D., 1993
The envelope for this issue is a red color. -- Source of annotation: Marvin or Ruth Sackner.
Tensetendoned. No.8/Sep / Michael B. Corbett, editor ; Bleus G ; Lehmus J ; Padin C ; Franzobel ; Olbrich JO ; Graf H ; CrackerJackKid ; Bennett JM ; Gomez A ; Dyar M., 1993
The envelope for this issue has a white color background onto which is printed a map. -- Source of annotation: Marvin or Ruth Sackner.
Tensetendoned. No.10/Nov / Michael B. Corbett, editor ; Tisma A ; Suel L ; Gomez A ; Olbrich JO ; Andryczuk H ; CrackerJackKid ; Johnson R ; Dyar M., 1993
The envelope for this issue is a greenish-yellow color. -- Source of annotation: Marvin or Ruth Sackner.
Tensetendoned. No.27/Sep / Michael B. Corbett, editor ; Vigo EA ; Padin C ; Gomez A ; Graf H ; Olbrich JO ; Collins P ; Bennett JM ; CrackerJackKid ; Porter B., 1995
The envelope for this issue is a light green color. -- Source of annotation: Marvin or Ruth Sackner.
Text-Lines Text-Images Textual Concepts / Ruch, Gunther ; Higgins D ; Nomads., 1987
The Address Is The Art / Pawson, Mark., 2009
This book is comprised of envelopes Pawson received over the course of two decades. It is hand sewn, hand stamped, hand distributed. -- Source of annotation: Marvin or Ruth Sackner.
The Alden Carr Archive / Carr, Alden., 1991 - 1992
The Art Is in the Mail / Jeromack, Paul; Johnson R., 1999
This review of Ray Johnson's exhibition at the Whitney Museum of American Art describes him as "the irrascible American artist who sent his comic strip-style work in chain leters to friends and refused to exhibit in his lifetime, gets his first show." -- Source of annotation: Marvin or Ruth Sackner.
The Care and Cleaning of Mail Art / Spaulding, D.C.; Spiegelman L; Bates K; Stake C; Strangulensis F; Fierens L., 2008
The Crash of `79 / Mutt, Richard, editor ; Pyros J ; Saunders R ; Scott M., 1980
The Cyclus of Mail-Art Consignments / Bogdanovic, Nenad ; Ivan Stojiljkovic, translator ; Tisma A., 1983
This booklet consists of statements regarding mail art and pages that reproduce the covers of envelopes mailed to Bogdanavic. -- Source of annotation: Marvin or Ruth Sackner.
The E-Mail Interview with Guy Bleus / Janssen, Ruud., 1998
Bleus states, "In netland a lot of artists can find a constructional and satisfying alternative for the morbid situation of the contemporary arts-industry. Mail-art has no real manifestos, restrictions or rules. Yet, the strict indications to organize a project, (no fee, no jury, no returns, and a catalogue to every participant), must be respected. Only the implementation of these basic rules will maintain the everlasting network during the new millennium. Mail-art is an alliance of marginal networkers. They know that netland is not utopia, but it is a good place to live." -- Source of annotation: Marvin or Ruth Sackner.
The End of Mail Art / Anonymous., 1990
This card was made in opposition to the Canadian postal worker's cutbacks called for by the government. -- Source of annotation: Marvin or Ruth Sackner.
The E.O.N. Seals of Sillyness / Baroni, Vittore., 2007
The Fake Picabia Bros.: 50 Favorite Mail Art Catalogs / Gaglione, Bill, editor ; Held, John Jr., editor ; Johnson R ; Carrion U ; Baroni V ; Bleus G ; Bulatov D ; Cohen R ; Cole D ; Crane M ; Crozier R ; Diamantini C ; Felter J ; Filliou R ; Gutierrez PJ ; Held Jjr ; Hompson DD ; Kamperelic D ; Kantor I ; Keller B ; Laszlo JN ; Lobach B ; McHale B ; Maggi R ; Gutierrez-Marx G ; Mayor D ; Padin C ; Perkins S ; Rypson P ; Spiegelman L ; Todorovic M ; Zabala H., 1996
Includes an introductory essay entitledm "Mail Art Catalogs: Documenting the Underground," and a concluding essay by John Held Jr entitled, "Curating a Mail Art Show." -- Source of annotation: Marvin or Ruth Sackner.
The Final (Anal) Statement of the Mad Diarheaist / Havens, Steve., 1984
Submitted as entry to the Homage To The Mad Diarist exhibition. Steve Havens also uses the name, God McDevil. -- Source of annotation: Marvin or Ruth Sackner.
The Final Brief Case / Sloy., 1997
The drawing forms one surface of a postcard. -- Source of annotation: Marvin or Ruth Sackner.