Skip to main content

Conventional poetry

 Subject
Subject Source: Sackner Database

Found in 3936 Collections and/or Records:

Shifter / curry, jw; LaRocque, Lance; McCaffery S., 1998

 Item
Identifier: CC-30375-31790
Scope and Contents

Also designated broadside #55. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Shir Hashirim / Pludwinski, Izzy ; Beck, Mordechai., 2001

 Item
Identifier: CC-39646-41605
Scope and Contents

The hard cover book is the Hebrew typographical Biblical book, "Song of Songs." Pudwinski created a new Hebrew typeface for the lyrical love poems that he named Shir. Beck illustrated the text with linocut illustrations. The soft cover book is a translation of the Hebrew text. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Short Poems for All the Girls / Morris, Stephen., 1968

 Item
Identifier: CC-47017-49755
Scope and Contents

Each poem consists of a hand drawn letter title and a typed love poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Sh'wipe!: 3 poems. No.b/Nov / Jnifr Sughe., 1987

 Item
Identifier: CC-30634-32074
Scope and Contents

Edited by Greg Evason and Daniel f. Bradley. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Sh'wipe!: 4 poems. No.j/Jan / Chris Winkler., 1988

 Item
Identifier: CC-30637-32077
Scope and Contents

Edited by Greg Evason and Daniel f. Bradley. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Silence: a gavotte is so difficult nobody knows how to do it now. No.13 / Barry Flanagan, editor ; Flanagan B., 1965

 Item
Identifier: CC-39486-41442
Scope and Contents This periodical was edited by Barry Flanagan. According to Thames and Hudsons Dictionary of Arts and Artists, Flanagan is "a British sculptor who has emerged since the 1960s as one of the most interesting, original and distinguished contemporary sculptors. He studied at St Martin's School of Art 1964-6, at the time when Caro and King were teaching there. Initially Flanagan made abstract work with a variety of materials -- cloth, rope, sand, polystyrene, light and glass -- some of which were Environmental installations. Flanagan also made films, drawings, etchings and furniture. From the 1970s he started working in metals, stone, clay and marble: his 'anarchic wit' became even more pronounced in this work; he also began making discreet references to traditional carving and modelling in mysterious, fossil-like sculptures, or references to prehistoric and Celtic iconography. In the late 1970s and early 1980s Flanagan finally turned to explicit but idiosyncratic figurative sculpture...
Dates: 1965

Silence: man made, full of holes, etc.. No.11 / Barry Flanagan, editor ; Flanagan B ; Themerson S., 1965

 Item
Identifier: CC-39482-41438
Scope and Contents

In all issues of Silence edited by Barry Flanagan, amorphous, solid shapes are mimeographed that mirror his later sculptural works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965