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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6414 Collections and/or Records:

der er et sted... / Sorensen, William Louis., 1973

 Item
Identifier: CC-57809-10001062
Scope and Contents

This poem is not reproduced in Sorensen's book, 'Data' that is held by the Sackner Archive. Sorensen's name and address are rubberstamped on a label on the verso of the page. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

der kunstliche baum, 1970

 Item
Identifier: CC-37303-39150
Scope and Contents

This copy, considered a 1st edition, was printed in 1972 but was first published in 1970. The cover of this copy is a printed introduction to Jandl's work. The book is an anthology of Jandl's experimental poetries. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

der kunstliche baum 8th Ed. , 1970

 Item
Identifier: CC-37302-39149
Scope and Contents

This copy was printed in 1981 but was first published in 1970. Its cover that depicts a photographic head portrait of Jandl differs from the March 1972 printing cover that is a printed introduction to his work. The latter is also held by the Sackner Archive. The book is an anthology of Jandl's experimental poetries. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

der versteckte hirte / Jandl, Ernst., 1975

 Item
Identifier: CC-37308-39159
Scope and Contents

There are eight reproductions of semirealistic, figurative, line drawings done by Jandl in 1974 that are present in the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

dere wally depew: what is... trewt / bissett, bill; Depew W., 1971

 Item
Identifier: CC-48342-69367
Scope and Contents

This poem was reproduced in Dust No.16. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Dermatic Optical Perception (11/09/64) / Houedard, Dom Sylvester., 1964

 Item
Identifier: CC-55451-58828
Scope and Contents

This pamphlet (folded sheet) is included in Revue Ou No.22, 1964, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Designed Words for Designed Worlds: The International Concrete Poetry Movement, 1955-1971 [A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy] / Hilder, Jamie ; Finlay IH ; DeCampos A ; Nichol bp ; Pignatari D ; DeCampos H ; Chopin H ; Roth D ; Williams E ; McLuhan M ; Fiore Q ; Bory JF ; Burda V ; Knowles A ; Gomringer E ; Hirsal J ; Grogerova B ; Azeredo R ; Grunewald JL ; Gappmayr H ; Garnier I ; Garnier P ; Mon F ; Solt ME ; Fernbach-Flarscheim C ; Andre C ; Mayer HJ ; Graham D ; Acconci V ; Sarenco ; Sharkey JJ ; Ferro L ; Thomkins A ; Scobie S ; Blaine J ; McCaffery S ; Sackner MA ; Sackner RK ; Watson S ; Fahlstrom O ; Dohl R ; Arp H ; VanDoesburg T ; Bill M ; Weaver M ; Kostelanetz R ; Phillips T ; Weiner L ; Ruscha E ; Cage J ; MacLow J ; Isou I ; Houedard DS ; Furnival J ; Bann S ; Bowler B ; Klonsky M ; Cook G ; Scobie S ; Chopin H ; DeVree P ; Grunewald JL ; Goldsmith K ; Kotz L ; Flynt H ; Art & Language ; LeWitt S ; Kosuth J ; Smithson R ; Graham D ; Siegelaub S ; Rosler M ; Cordeiro W ; Drucker J ; Kitasono K., 2010

 Item
Identifier: CC-52892-74030
Scope and Contents In this thesis, Hilder provides new concepts and arguments about the genesis of concrete poetry backed up by a serious interpretation and collation of published material. He relies heavily on critical texts in three full length books written in English, Liselotte Gumpel's "Concrete Poetry" from East and West Germany (1976), David Seaman's Concrete Poetry in France (1981) and Caroline Bayard's The New Poetics in Canada and Quebec. All are held by the Sackner Archive.Hilder "argues that the critical gaps in concrete poetry criticism, both contemporaneous and subsequent to the concrete poetry movement, have fallen into (1) the national fallacy: the attempt to read an international movement within a national framework; (2) the ancient fallacy: the attempt to link concrete poetry with visual poetry and word imagery dating back to ancient cultures; (3) the theoretical fallacy: the attempt retrospectively to read onto concrete poetry the post-structuralist theories of language that...
Dates: 2010

[desire] / Kleinberg, Judy I.., 1983

 Item
Identifier: CC-07880-8034
Scope and Contents

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Destroy Prisons Break Walls, 1990

 Item — Box Artist Boxed Materials/Oversized: Depew, Wally: [Barcode: 31858072491388]
Identifier: CC-55169-98964

Detail from Europa and Her Bull / Furnival, John., 1966

 Item
Identifier: CC-54810-990240
Scope and Contents

This print is depicted on page 41 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

[Detail of Poets and Artists] , 1995

 Item — Folder 52: [Barcode: 31858072537867]
Identifier: CC-35942-37706
Scope and Contents

This detail of a large painting consists of rubberstampings of the names of contemporary artists and poets utilizing concrete and visual poetry or language in their visual works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Deutschunterricht, Der. No.1 / Gomringer E., 1970

 Item
Identifier: CC-15224-15545
Scope and Contents

This issue contains essays that analyze different poetic genres. Lothar Bornscheuer contributes an essay on Eugen Gomringer's Konstellationen. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Devil Trap / Furnival, John., 1966

 Item
Identifier: CC-13308-13609
Scope and Contents

Included in Indicatif II portfolio. The print in different typefaces and type dimensions has a pentagonal shape. It is meant to be spun from a spoke placed in its center so as to create a blurred image of the words. The duplicate copy has a center fold. This print is depicted in Furnival's "Lost for Words" (2011) page 20. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966