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Concrete poetry

 Subject
Subject Source: Sackner Database

Found in 6414 Collections and/or Records:

[Untitled] / Daniel, Peter., 1997

 Item
Identifier: CC-42516-44531
Scope and Contents

This is a reproduction of a work that consists of twisted wire Hebrew letters standing on a wooden base. This card is combined with others from Edition Splitter and stored as a card set. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

[Untitled] / Despalles, F. ; Schwarz R ; deCharmoy C ; Tarlatt U ; Deisler G ; Stein P., 1993

 Item
Identifier: CC-15185-15506
Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Dittmar, Rolf ; Chopin H ; Cinicolo-3 D ; Cobbing B ; Gomringer E ; Kriwet F ; Mon F ; Nuttall J ; Schmidt SJ ; Havel V., 1980

 Item
Identifier: CC-15437-15762
Scope and Contents

Auction catalogue. Rolf Dittmar was a very famous collector of avant garde literature and poetry, artist books and magazines, and visual arts who lived in Wiesbaden Germany. He was a practicing attorney who enjoyed establishing collections on a specific theme, selling them and starting another collection thereafter. This auction catalogue is a copy of Hanns Sohm with his handwritten selections. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Doc(k)s ; Blaine J ; Padin C ; Deisler G ; Arias-Misson A ; Bory JF ; DeVree P ; Miccini E ; Sarenco ; Verdi F ; Janicot F ; Garnier P ; Lijn L., 1985

 Item
Identifier: CC-15439-15764
Scope and Contents

One soft cover book is staple-bound to the folded cover; the other is uncovered and folded. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Douglas, Dennis., 1968

 Item
Identifier: CC-15503-15830
Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

[Untitled] / Ducorroy, Joel., 1989

 Item
Identifier: CC-15585-15912
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Dwyer, Nancy., 1988

 Item
Identifier: CC-15611-15938
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Dwyer, Nancy., 1988

 Item
Identifier: CC-16020-16361
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Edition Freibord., 1989

 Item
Identifier: CC-13360-13661
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Edition Fundamental ; Schauffelen KB ; Garnier P ; Riha K ; Jandl E ; Mayrocker F ; Gomringer E ; Muller R ; VanDoesburg T ; Beuys J ; Ball H ; Widhalm F ; Bulkowski H ; Frenken W., 1996

 Item
Identifier: CC-28460-29729
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Eins von Hundert ; Fabry A ; Broel E ; Cepl G ; Hainke W ; Olbrich JO ; Williams E ; Andryczuk H ; Garnier P ; Garnier I ; Nikonova R ; Deisler G., 1995

 Item
Identifier: CC-14290-14598
Scope and Contents

This book provides a list of contributors and their addresses along with personal works and prices for purchase. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Fingerprinting Inkoperated ; Beining G ; Bertola C ; Bradley Df ; curry jw ; Gilbert G., 1992

 Item
Identifier: CC-10916-11128
Dates: 1992
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Finlay, Ian Hamilton., 2002

 Item
Identifier: CC-48481-69510
Scope and Contents

This exhibition was designed by Ian Hamilton Finlay and Pia Simig and took place at Tate St. Ives from March 23 to June 30, 2002. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Finlay, Ian Hamilton ; Costley R ; Bann S ; Hincks G., 1977

 Item
Identifier: CC-12526-12753
Scope and Contents

The catalogue was designed by Ron Costley. It includes a long critical introduction by Stephen Bann focusing on Finlay's contributions to concrete poetry and his swing toward neo- classicism in the picture poems carried out by inscriptions on stone plaques in the garden. The catalogue also has a reprinting of Finlay's "A Wartime Garden." The illustrations depict several unique stone, neon, and glass sculptures. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Finlay, Ian Hamilton ; Mayer HJ ; Kellein T., 1990

 Item
Identifier: CC-11771-11990
Scope and Contents

Exhibition was curated by Thomas Kellein. Layout design was done by Hansjorg Mayer. The cover depicts a picture poem, "Homage to Modern Art." The catalogue is a retrospective of Finlay's ouevre. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Finlay, Ian Hamilton ; Sloan N., 1988

 Item
Identifier: CC-11750-11968
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Frick, Hugo., 1987

 Item
Identifier: CC-12687-12930
Dates: 1987
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

[Untitled] / Gerchman, Rubens., 1969

 Item
Identifier: CC-09935-10132
Scope and Contents

This was Gerchman's first one-man exhibition in the USA. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Gerchman, Rubens ; Oiticica H., 1973

 Item
Identifier: CC-36306-38096
Scope and Contents Internet: "Rubens Gerchman (10 janvier 1942, Rio de Janeiro - 29 janvier 2008, Sao Paulo) est un peintre et sculpteur bresilien influence par l'art concret et neoconcret. Rubens Gerchman (born January 10, 1942, Rio de Janeiro January 29, 2008) was a Brazilian painter and sculptor. He was heavily influenced by concrete and neoconcrete art. Many of Gerchmans works are paintings based on populist themes and his political beliefs, which followed those of neoconcrete artists. His sculptures with letters, stem from concrete poetry. Gerchman studied at the Rio de Janeiro School of Fine Arts. In the 1960s, his work focused on mass culture. He used faces clipped from news photos, but unlike Andy Warhol, who used infamous celebrity, he used images of anonymous individuals. These faces would be reproduced as multiple painted images in a comic-strip style. In the late 1960s, Gerchman devoted his interest to urban isolation and alienation. He produced boxes and containers destined to be opened...
Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

[Untitled] / Groh, Klaus., 1996

 Item
Identifier: CC-27782-28912
Scope and Contents

The collage, which is typical of Groh's style, consists of several rhomboidal shaped strips of paper with printed German texts stapled to blue colored paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

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