Concrete poetry
Found in 6414 Collections and/or Records:
Seeing Things / Froman, Robert., 1977
Froman defines seeing poems (concrete poems) as the outline of a light bulb which "...happens when when words take a shape that helps them to turn on a light in someone's mind." A few poems relating to breathing are included in the book such as "Superstink." This concrete poem depicts a bus at a stop, a start-up, followed by an engine backfire with a big cloud of pollutants released into the atmosphere causing a cacophony of cough, gasp, choke, sneeze, snuffle etc. -- Source of annotation: Marvin or Ruth Sackner.
Seeing Voices / Mancini, Donato., 2002
The text was produced from conversations overheard in an undisclosed area. As such, it is akin to Martin Wilner'a artist books that record text and images from passengers on the NY subway trains. -- Source of annotation: Marvin or Ruth Sackner.
Seeing Your Meaning: Concrete Poetry in Language and Education 2nd Edition / Cook, Stanley., 1979
The letter is addressed to Eugen Gomringer. Cook analyzes the impact of concrete poetry on the sensibilities of children. This is the second edition of the book first published in 1975. -- Source of annotation: Marvin or Ruth Sackner.
Seeing Your Meaning: Concrete Poetry in Language and Education / Cook, Stanley., 1975
Cook analyzes the impact of concrete poetry on the sensibilities of children. -- Source of annotation: Marvin or Ruth Sackner.
Seen & Unseen: Concrete Poems / Murphy, Peter., 1975
SeeSaw / Sloy., 2002
Seevic's Feat / Cobbing, Bob, editor ; Claire P., 1989
Sefer Viscera, 1997
Seh-Texte; Beispiele Konkreter und Visueller Poesie / Apollinaire G ; Achleitner F ; Gappmayr H ; Garnier P ; Gerz J ; Gomringer E ; Lavater W ; Lax R ; Long R ; Osborn K ; Phillips T ; Riha K ; Ruhm G ; Stokes T ; Wezel W ; Crombie J., 1991
Sehgange, 1964
This work is photographically reproduced in Hirsal & Grogerova's "Experimentalni Poezie," page 221, in Novisimo Poesia/69, and in Schritte No.8 1964. In the latter, the image is oriented at a 180 degrees difference from the original. -- Source of annotation: Marvin or Ruth Sackner.
Sehtext / Ferdinand Kriwet., 1970
Sehtext / Ferdinand Kriwet., 1970
Sehtexte, 1964
Sehtexte und Kommentare, 1964
The brochure depicts six typewriter poems, the first series of four of six circular concrete poems (sehtexte) 1960-1961 and the second series of six of 14 concrete poems, 1962-1963. The loose sheet present in one of the copies is an announcement for Kriwet's book, "durch die runse..." published as schritte No.10. The latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Sei F (This F-) / Miroshnychenko, Mykola., 1976
This poem is dated 25.04.1976. -- Source of annotation: Marvin or Ruth Sackner.
Sei Lirici della Poesia Visuale Internazionale / Arias-Misson A ; Carrega U ; Claus CF ; Finlay IH ; Phillips T ; Takahashi S., 1990
Exhibition was curated by Gillo Dorfles and Alain Arias-Misson. -- Source of annotation: Marvin or Ruth Sackner.
Sei Lirici della Poesia Visuale Internazionale / Gillo Dorfles, curator ; Alain Arias-Misson ; Arias-Misson A ; Carrega U ; Claus CF ; Finlay IH ; Phillips T ; Takahashi S., 1990
Exhibition was curated by Gillo Dorfles and Alain Arias-Misson. -- Source of annotation: Marvin or Ruth Sackner.
Selected and New Poems / Ward, John Powell., 2000
Selected Books and Graphics List N-89 / Black Sun Books., 1989
Advertises sale of J. Miro's and A. De Monluc's "Le Courtisan Grotesque." -- Source of annotation: Marvin or Ruth Sackner.
Selected Poems, 1987
Peter Finch introduces his collected works by tracing those poets who influenced him. He writes that "concrete poetry does not use language for the recollection of emotion in tranquility but as the material of the poem itself." The book includes a poem, "Breath (after Philip Glass)," which repetitively utilizes the phrases, "the breath came and the breath went," as an incessant background rhythm for the main text in an analogous way that Philip Glass presents his music compositions. -- Source of annotation: Marvin or Ruth Sackner.