Concrete poetry
Found in 6414 Collections and/or Records:
R, 1999
This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.
R & K / Upton, Lawrence ; Panji E., 2003
This was published by Eter Panji who runs the Visual World Poetry press. -- Source of annotation: Marvin or Ruth Sackner.
RACE: Still too Hot to Touch / Scher, Paula., 2010
Paula Scher's drawing for an article by Matt Bai illustrates his essay about the racial implications of the firing of Shirley Sherrod, an African American Georgian bureaucrat. The drawing of the word RACE is scrawled, black and calligraphic over a barely visible red drawn RACE and horizontal lines that reflect the emotions of the political incident. -- Source of annotation: Marvin or Ruth Sackner.
Radar: Paul De Vree. No.21 / Jan Van der Hoeven ; Renaat Ramon, editor ; Chopin H ; Dencker KP ; Perfetti M ; VanDerHoeven J ; Jespers HF ; Ramon R., 1982
This issue commemorates the death of Paul De Vree. The Sackners met Paul De Vree the year before this publication when he was in ill health. -- Source of annotation: Marvin or Ruth Sackner.
Radial Plea (a) / Riddell, Alan., 1969
radiation onde structure energie / Garnier, Pierre., 1965
This poem was printed in Gaarmier's Prototypes (1965) and also reproduced in black and white in Garier's "Oeuvres poetiques 1 (1950-1968), page 227. -- Source of annotation: Marvin or Ruth Sackner.
Radisson: One Hotel Stands out around the World / Anonymous., 1989
rag & boneshop, 1971
This is an outstanding compilation of Birney's concrete and visual poems. Several poems are written in the linguistic style used by bill bissett. According to Adjala Bookshop, Birney inscribed (dated 1970) this first edition of the book to Mary Lou Toms who was the founding editor of "Books in Canada." The inscription is in the form of a concrete poem. -- Source of annotation: Marvin or Ruth Sackner.
rag & boneshop, 1971
This is an outstanding compilation of Birney's concrete and visual poems. Several poems are written in the linguistic style used by bill bissett. -- Source of annotation: Marvin or Ruth Sackner.
Rag-Time / Lora-Totino, Arrigo., 1995
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
rain / drain / Huth, Geof., 1987
Rain / Endwar., 1990
The word "rain" is repeated as a grid and gradually smudged by the xerox process from top to bottom of the sheet to appear like raindrops. -- Source of annotation: Marvin or Ruth Sackner.
Rainer Verlag (December/January), 1989
Rampike: Sense/Sensuality. No.1 / Karl Jirgens, editor ; Altemus R ; Sutherland WM ; Kostelanetz R ; Stetser C ; Nations O ; bissett b ; Smith St ; Kantor I ; Winkler M ; Burgaud C ; Mancini D ; Baroni V ; Olbrich JO ; Niditch B ; Cullen B., 2005
Random Axis / Frazer, Vernon., 2010
Random Modulator [1] / Finch, Peter., 1975
Photograph depicts a sculptural plant-like object with each leaf having a single word, e.g., mouths, songs, faces, space, etc. -- Source of annotation: Marvin or Ruth Sackner.
Random Modulator [2] / Finch, Peter., 1975
Photograph depicts a detail view of this work. -- Source of annotation: Marvin or Ruth Sackner.
Random Sightings [Reprint], 1999
Several poems are word portraits of artists that include Francis Bacon, William Baziotes, James Ensor, Paul Gauguin, Turner, and Robert Motherwell. The book also includes reprints of levy's introductory essay to 306, 5 Cleveland Poems, you murders with your indifference, and the "IN" Group. The cover was designed by Alan Horvath, the publisher. -- Source of annotation: Marvin or Ruth Sackner.
Random Sightings (The Egyptian Stroboscope Sessions), 2000
Most of the copies of the first printing in an edition of 108 copies were confiscated by the Cleveland Police in the notorious raid of Jim Lowell's book store in 1966. The second printing by grass coin publishing in 1967 had a different cover, a modified title page & did not contain an index section. This third posthumous printing presented here is a reproduction of the original, the unique page from the second edition as well as the original manuscript pages. The cover silkscreen of this third printing was done by Mike Schaefer. -- Source of annotation: Marvin or Ruth Sackner.