Fitterman documents the sources for his "appropriated poems" at the end of the book. Kenneth Goldsmith provides a brief critique of this book on the back cover. Darren Wershler-Henry edited and designed the book. -- Source of annotation: Marvin or Ruth Sackner.

There are several large shaped poems within this work, e.g., a fish, vase, and apple. The text is bawdy, e.g., sheep's cunt is a frequent phrase. -- Source of annotation: Marvin or Ruth Sackner.

The sculptures are the personal names the grandchildren call Ruth and Marvin Sackner. Joelle documents the work as follows: "Mi2 (Mimi) is set in Bodini Poster Italic. TA (Ta) is set in Trade Gothic Bold Condensed No.20 Oblique. Here they are! I used the laser cutter to make the different layers. It was designed in In Design." Joelle is a student at Rhode island School of Design. -- Source of annotation: Marvin or Ruth Sackner.

The sculptures are the personal names the grandchildren call Ruth and Marvin Sackner. Joelle documents the work as follows: "Mi2 (Mimi) is set in Bodini Poster Italic. TA (Ta) is set in Trade Gothic Bold Condensed No.20 Oblique. Here they are! I used the laser cutter to make the different layers. It was designed in In Design." Joelle is a student at Rhode island School of Design. -- Source of annotation: Marvin or Ruth Sackner.

This sculpture contains forty words hand printed in ink on the sides of ten wooden square blocks. Each block, that can rotate on a wooden dowel through hand movement, measures 11.4 x 11.4 x 2 cm. The words selected by Phillips for each block are: Modernism, Miami Beach, Moonlight, Memory - Inspires, Indulges, Identities, Ignores - Ambiguous, Amorous, Artistic, Abstract - Madness, Mythology, Miracles, Moments - Idiotically, Inwardly, Ineptly, Intensely - Brainless, Backward, Bohemian, Beautiful - Egoists, Emotions, Erections, Eccentrics - Always, Artfully, Already, Absurdly - Confuse, Clarify, Complete, Celebrate - History, Heartache, Happiness, Hysteria. The first letter of each block vertically spells Miami Beach.Illustrated in "Works and Text 1992 " on page 110. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists 341 items in a collection of mostly ordinary edition books and periodicals priced at approximately $8,000. There was heavy respresentation of Cobbing, Cutts, and Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The analysis of Miles poetic works was written by Luigi Tola. Several poets and critics wrote testimonals at the end of this book, some reproduced in facsimile. -- Source of annotation: Marvin or Ruth Sackner.

This anthology includes examples of the traditional Japanese haiku poetry form, e.g., three unrhymed lines if five, seven, and three syllables, respectively. In addition, this definition has been broadened to consider unrhymed minimalist, concrete, and visual poems ouside of the traditional framework. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a minimalist, constellation poem taken from found text that Houedard has placed on black paper (stock or inked paper). -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a minimalist, constellation poem taken from found text that Houedard has placed on black paper (stock or inked paper). -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a minimalist, constellation poem taken from found text that Houedard has placed on black paper (stock or inked paper). -- Source of annotation: Marvin or Ruth Sackner.

The round cardboard case measuring 6.7" in diameter is made from handmade pulp such that bits of fragmented texts appear on its surface. Its lid is perforated in the center. The names of the contributors are printed on two concertinas made from red paper. One of the works has a background of the same word repetively printed in tight grid with two large empty letters, e.g., ER, superimposed = Ersatz (substitute). -- Source of annotation: Marvin or Ruth Sackner.

Although the works in this book are designated "Minimal Fictions" by Kostrlanetz, the varied typefaces and experimental page layouts do not distinctly differentiate them from classifying them concrete poems. -- Source of annotation: Marvin or Ruth Sackner.