Concrete poetry
Found in 6414 Collections and/or Records:
Infinito Trionfo / Lora-Totino, Arrigo., 1996
The folded loose sheet is a reproduction of a poem that Lora-Totino wrote in 1980. -- Source of annotation: Marvin or Ruth Sackner.
Infinity / Topel, Andrew., 2009
Topol has created circles using the word infinity. Each page is a permutation of the design. -- Source of annotation: Marvin or Ruth Sackner.
Information-Contra-Information / Toth, Gabor., 1973
Information / Deisler, Guillermo., 1991
Inias / Diaz, Lisiak-Land., 1994
Ink Cummmmmmmmmm / Depew, Wally., 1984
inkorrect thots, 1992
Insetti e filosofi / Isgro, Emilio ; Fiz A., 2003
InstaBook: BOX. No.4 / Bob Holman., 2009
This flattened book when unfolded produces an opened box. -- Source of annotation: Marvin or Ruth Sackner.
[Installation for Noisr, Thermals, Ci] / Essary, Loris., 1984
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Instan / Vicuna, Cecilia., 2002
Cecilia Vicuna is an activist artist who does installations from thread and weavings. This diarist book was done between 1995 and 2000 during travels to the United States and South America. -- Source of annotation: Marvin or Ruth Sackner.
Instan / Vicuna, Cecilia., 2002
Cecilia Vicuna is an activist artist who does installations from thread and weavings. This diarist book was done between 1995 and 2000 during travels to the United States and South America. The graphite drawing is on the last page of the book. -- Source of annotation: Marvin or Ruth Sackner.
Instant Comma / Sonnenfeld, Mark ; Christy, Ana ; Hiteshew, Stephanie., 2005
Instantes / De Almeide, Douglas., 1984
Integrated Circuit / Crombie, John., 1987
The text consists of variations on the words, 'gloom,' 'whom,' and 'womb.' -- Source of annotation: Marvin or Ruth Sackner.
Integration Alone Is Not Enough / Cobbing, Bob., 1966
Intentos / Cuyen, Enrique., 2001
The author writes on the loose sheet that "this is my artists book, with my artists nickname "Enrique Cuyen." A big hug from Argaentina. I will receive more information." His real name is Fernando Gioia. -- Source of annotation: Marvin or Ruth Sackner.
Interchange for John Cage / Hirschman, Jack A.; Brandi J; Schwarm H., 1964
This story about a day spent driving an automobile on a Los Angeles freeway was designed in the style of Mallarme's Un Coup de Des. The Sackner Archive also holds the archive for this work. The design and typography were done by John Brandi and Harold Schwarm. -- Source of annotation: Marvin or Ruth Sackner.
Interchange for John Cage / Hirschman, Jack A.; Brandi J; Schwarm H; Cage J., 1964
This story about a day spent driving an automobile on a Los Angeles freeway was designed in the style of Mallarme's Un Coup de Des. The Sackner Archive also holds the archive for this work. The first 22 copies were signed by Hirschman; this copy is signed and inscribed but is out of series. The design and typography were done by John Brandi and Harold Schwarm. -- Source of annotation: Marvin or Ruth Sackner.
Interchange for John Cage [Zora Gallery Version] / Hirschman, Jack A.; Cage J., 1964
This story is about a day spent driving an automobile on a Los Angeles freeway was designed in the style of Mallarme's Un Coup de Des. The Sackner Archive also holds the archive for this work. One typed manuscript has the layout but not the typographic appearance of the published work. The other two that are handwritten provide that appearance. The basis for the writing of this work is discussed by Hirschman in Kulchur No.14, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.