Concrete poetry
Found in 6414 Collections and/or Records:
Happytime the Medicine Man / Higgins, Dick., 1992
Harald im Profil / Hosselbarth, Kai., 1998
The subject is a profile of a man with each part of the head printed as a word, e.g., Nase Nase Nase to form the nose. -- Source of annotation: Marvin or Ruth Sackner.
hard 2 beleev, 1990
Hare Krishmas / Williams, Emmett., 1979
This greeting consists of the title printed in a highly stylized, yellow colored, calligraphic text on a blue background. -- Source of annotation: Marvin or Ruth Sackner.
Harm / Papenfus-Gorek, Bert ; Jandl E., 1985
Ernst Jand contributed a brief introductory essay. The sole shaped poem depicts a hanging apparatus. -- Source of annotation: Marvin or Ruth Sackner.
Haroldo anuncia a ultima viagem da poesia / De Barros e Silva, Fernando; De Campos, Haroldo; DeCampos H., 1990
Haroldo de Campos, 73, Form-Bending Poet / De Campos, Haroldo; DeCampos A; Pignatari D; Sarduy S., 2003
Simon Romero wrote this obituary and described concrete poetry as the arrangement of the letters of the word in shapes that would lend them multiple meanings. -- Source of annotation: Marvin or Ruth Sackner.
Haroldo de Campos: A Dialogue with the Brazilian Concrete Poet / Jackson, K. David, editor ; Perloff M ; Bohn W ; Eco U ; Cabrera-Infante G ; Vater R ; Dworkin C ; Goldsmith K ; DeCampos A ; DeCampos H ; Ascher N ; Retallack J ; McCaffery S ; Webern A ; Antunes A ; Duchamp M ; Paz O ; Pound E ; Stein G ; Chopin H ; Kolar J ; Ruhm G ; Tavares S ; Morgan E ; Bann S ; Houedard DS ; Garnier P ; Cluver C ; Belloli C ; Gomringer E ; Caws MA ; Saroyan A ; Valoch J ; Nannucci M ; Bremer C ; Walther E., 2005
This book consists of critical essays about Haroldo de Campos. It includes a postscript section on his death (1929-2003). Marjorie Perloff contributed an essay "Concrete Prose in the Nineties: Haroldo de Campos Galaxias and After" and interviewed both Haroldo and Augusto de Campos in "Brazilian Concrete Poetry: How It Looks Today." Willard Bohn wrote about "Concrete Poetry at the Crossroads," an intelligent critique of specific concrete poems by de Campos and contemporaries. -- Source of annotation: Marvin or Ruth Sackner.
Haroug / Geczi, Janos., 1980
This concrete poem is laid out as an abstract design. -- Source of annotation: Marvin or Ruth Sackner.
hartbees / Upton, Lawrence ; Cobbing, Bob., 1996
have you been DUCHAMP'd? Part 2 / Sutherland, W. Mark., 1989
H.C. Artmannm Austrian Poet, Author and Literary Rebel, 79 / Saxon, Wolfgang., 2000
He is a doppel weh, o why / Shekerjian, Haig; Shekerjian, Regina., 1977
A copy of this photograph is also held by the University of Iowa Librairies Special Collections & Uniersity Archives, the pnly record found on the internet. The title translated to he is a double alas, I whu. -- Source of annotation: Marvin or Ruth Sackner.
he las / Houedard, Dom Sylvester., 1968
From page top a cut out letter " l" is collaged onto page center with a green strip. At the bottom left Houedard has written "ode to the colonels" in reference to the Greek military dictatorship. On the right border he has written "glastsz ode consturctions ltd." Wikipedia: The Greek military junta of 1967"“74 (alternatively The Regime of the Colonels. The Dictatorship and The Seven Years was a series of right-wing military juntas that ruled Greece following the 1967 Greek coup d'état led by a group of colonels on 21 April 1967. The dictatorship ended in July 1974. -- Source of annotation: Marvin or Ruth Sackner.
Head, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.
Headlines:Eavelines / Finlay, Ian Hamilton; Stevenson A; Lord S; Furnival J., 1967
Concrete poems were created from collated headlines. Eight were composed by the art students and five by Finlay. Ann Stevenson who did "Water Wheels in Whirl" is known as Ann Noel and is the wife of Emmett Williams. Work is dedicated to Eve Furnival, and cover of portfolio consists of a grid of identical child-drawn images of Finlay entitled "The Flying Scatsman." In this copy, the title page has a typographic error, viz., Published dy (sic) Openings Press...(this was not observed in another copy formerly held by the Sackner Archive). Ian Hamilton Finlay's "13 evelines," were sent to John Furnival's daughter Eve as postcards on thirteen consecutive days by students in Furnival's Bath Academy of Art class. It was subsequently printed as this portfolio. -- Source of annotation: Marvin or Ruth Sackner.
Hear The Art (Earth Heart) / Tipping, Richard Kelly., 1997
The Sackner Archive is listed as holding works by Tipping. -- Source of annotation: Marvin or Ruth Sackner.
Hear the Earth / Tipping, Richard Kelly., 1993
Heart / Burgess, Mali aka Burgess, Molly., 1975
Hedgehogs Announce Annual Turnover / Finlay, Ian Hamilton, 1967
This is a duplicate print from Finlay's portfolio Headlines:Eavelines. The word, "turnover" in this copy are orange whereas the print in the portfolio is brown.The verso has the following inscription: "from Evalines / Headlines by I.H.F. and students at Bath Academy of Art Openings Press." -- Source of annotation: Marvin or Ruth Sackner.