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Conceptual text

 Subject
Subject Source: Sackner Database

Found in 417 Collections and/or Records:

poeme blanc (140663) / Houedard, Dom Sylvester., 1963

 Item
Identifier: CC-09393-9579
Scope and Contents

The poem follows the title as an empty space. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

postcard : frontal side / postcard : backside / Valoch, Jiri., 1980

 Item
Identifier: CC-50475-71546
Scope and Contents

The title of this piece is the piece. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Postfluxpostbooklet: Do Not Speak?. No.8 / Pete Spence ; Luce Fierens., 1991

 Item
Identifier: CC-04593-4680
Scope and Contents

First published in 1990 and reprinted in 1991. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Postsachen (1968-1972) / Gerz, Jochen., 1972

 Item
Identifier: CC-27273-27829
Scope and Contents There are several objects in this box which is like a one person "Assembling." One is an empty plastic bag with a three pages of documentation stapled to it. Gerz relates that he sent such empty plastic bags to friends, strangers from the Paris phone book and exhibition visitors at international art galleries. They were instructed to place personal old relics in the bags. Three hundred filled plastic bags were returned and sealed by Gerz who then deposited them in the construction foundation of the new Montparnasse Tower in Paris which was then covered by concrete. Since the bags were inaccessible, and no material trace of them remained, Gerz wrote that "from the idea and diverse initiatives which their realization made necessary as well as the impressions which I received during this time, I retain a memory more and more contradictory. The consequences which arise from this each day seem by now more important than the idea itself." There are duplicate, printed plastic envelopes...
Dates: 1972

Private Tutor: [Boats of Letters]. No.12/Sep / Ian Breakwell., 1970

 Item
Identifier: CC-37548-39405
Scope and Contents

Seven minimalist poems printed in this issue are written by Ian Hamilton Finlay though no author's name appears. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Pyramid Power. No.6/Spr-Sum / Matthew Booth, Jonah Gray, Sacha Hurley, editors ; Hilder J ; Sackner RK ; Sackner MA., 2009

 Item
Identifier: CC-50495-71566
Scope and Contents

Jamie Hilder contributes a bief annotated list of "People I Know" that includes the Sackers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Quadrat-Print: Cijfer. / Pieter Brattinga, editor., 1971

 Item
Identifier: CC-22994-23431
Scope and Contents

This work symbolizes visits to various towns in the world through cash register slips that were collected by Pieter Brattinga who made up the design. Each box is numbered. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Quadrat-Print: Cijfer. / Pieter Brattinga, editor., 1971

 Item
Identifier: CC-50094-71155
Scope and Contents

This work symbolizes visits to various towns in the world through cash register slips that were collected by Pieter Brattinga who made up the design. Each box is numbered. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Read / Grayson, Susan., 1975

 Item
Identifier: CC-43121-45176
Scope and Contents

The individual words that make up sentences of this essay on reading, are printed in a vertical column on the left side of the page. Each word is defined in a larger column on the right side of the page adjacent to it. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Reading the Removal of Literature [Craig Dworkin, Editor] / Thurston, Nick., 2006

 Item
Identifier: CC-48926-69964
Scope and Contents This book is a reading of Maurice Blanchot's seminal book The Space of Literature, performed on the page as an annotative writing that encircles the should-be space of print. Through the progressive appropriation and then erasure ("cancelled") of Blanchot's text, and through a processual transposition of hand-writing into formal typography, Thurston addresses the very question of the possibility of literature that obsessed Blanchot. The meaning of the candid reflections and meditations which form the incisive marginalia is founded in a tension with the suggestions of the absent text. Floating alone these annotations may have little worth or make little sense, but between these covers they do not deny the history of their derivation: They are constantly anchored by that which is missing, in a creative erring, in a process of over-coming, which in this book asserts an equality of presence between the read and the written; the reading and the writing. The closest analogue is...
Dates: 2006

Regrets / Hung, Berwyn., 1994

 Item
Identifier: CC-09785-9979
Scope and Contents

The pages in this book are all blank. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994