Scope and Contents xIn Phillips' book Works and Text (1992), he indicates that the linoleum block was found on the street near his studio. He recounts a story (page 134) which was inspired by the find. "Every manufactured object is, visually, the point of confluence of unnumbered lines or stylistic development; it is the result of innumerable chance encounters of artists, craftsmen and artisans; is the product of the complete trade and trafic of the world..." There is a micrographic text that forms a border around the image and the documentary text mentioned above. It reads "Whether I might write about this pieceof linoleum is pure speculation except that it was found in a much begained (?) condition lying on the rubbish in a step outside of a house on the left hand side of Lyndhurst Grove Camberwell, London SE 15..." But it was too faint to be scanned as an image (MAS). This print constitutes one of six prints from walking 1/2 mile around Phillips' studio - it is based on the belief that there are...

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The cover drawing depicts three characters (presumably after Piradello's play of the same name) & the fourth character is a stick collage figure atached by a thread to the hand of on of the characters in the drawing. The drawing on the inside back cover depicts the place as a negative image where the stick collage figure originated on an abstract background with collaged phrases such as "The poet's soul was with me at the time, Breaking the silence," etc. -- Source of annotation: Marvin or Ruth Sackner.

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The napkins are printed with a black text on a white background. -- Source of annotation: Marvin or Ruth Sackner.

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The napkins are printed with a black text on a white background. -- Source of annotation: Marvin or Ruth Sackner.

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This drawing depicts two red coffee cups and a stylized black turban or helmut surrounded by text. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

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This drawing depicts a decorated jug in the center surrounded by text and partial renditions of the jug at the top and bottom. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

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This is the poem for the stencil of Fragment 2 written on carbon paper with white-out. -- Source of annotation: Marvin or Ruth Sackner.

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This is the handwritten, corrected text for the background of Fragment. -- Source of annotation: Marvin or Ruth Sackner.

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This depicts a still life of jugs surrounded by words. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

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This depicts a still life of mugs and a hat (?) on a table surrounded by words. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

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This depicts two still lifes of mugs, a slipper, and a hat (?) on a table surrounded by words. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

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This depicts a still life of mugs, drapes, and a hat (?) surrounded by words. The paper was made from cardboard egg crate carton material. -- Source of annotation: Marvin or Ruth Sackner.

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The calligraphic painted sentences in this book by Bellaart are remeniscent of the callographic drawings of Bruce Nauman. -- Source of annotation: Marvin or Ruth Sackner.

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The ribbon around the bag is scarlet. -- Source of annotation: Marvin or Ruth Sackner.

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The book was published as a tribute to the Wallace Berman retrospective at the University Museum in Berkeley. The poems by several contributors were written by Hiirschman and photocopied for this book. There are several photocopied drawings and collages scattered through the book. The cover design was adapted from a grid of four Verifax pieces done by Wallace Berman in 1964. -- Source of annotation: Marvin or Ruth Sackner.

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The book was published as a tribute to the Wallace Berman retrospective at the University Museum in Berkeley. The poems by several contributors were written by Hiirschman and photocopied for this book. There are several photocopied drawings and collages scattered through the book, some photocopied colored for this deluxe edition. The cover design was adapted from a grid of four Verifax pieces done by Wallace Berman in 1964. -- Source of annotation: Marvin or Ruth Sackner.

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Two sections of the book have several pages pasted together that create a base for two collages. -- Source of annotation: Marvin or Ruth Sackner.

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The alphabetical letter pictures are 26 photographic sites listed on the inside cover onto which the letters are positioned. -- Source of annotation: Marvin or Ruth Sackner.