Norman Pritchard II contributed calligraphic embellishments to this book. This book is stored with Pritchard material. -- Source of annotation: Marvin or Ruth Sackner.

This print, which has a Grafitti-like layered appearance, was made in cibachrome and Iris digital formats. The latter was printed from a MacIntosh computer with special printing equipment. The process was pioneered by Jon Cone, the son of the Sackner's friend, Josie Johnson. Cone visited the Archive in the mid eighties. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

The title "tiny huit " reads the same upside down. The other reversal poem on this card is "times semit," with semit presumably an abbbreviation for semitic. Finally, illegible writing is present in the upper left corner of the card. -- Source of annotation: Marvin or Ruth Sackner.

The drawings reproduced in this book appear to have originated in the author's sketch books. The drawings and themes are reminiscent of those by Raymond Pettibone. Gonzales: Non Stop Poetry, 2000, page Mark Gonzales is a world class skateboard champion. -- Source of annotation: Marvin or Ruth Sackner.

In this issue inscribed to the Sackners, Hubaut writes that "La ligne Bar-Bar" may fit into the Archive. The Sackners subsequently purchased this piece. -- Source of annotation: Marvin or Ruth Sackner.

This book is part of a trilogy that includes "To Believe in Man" and "To Believe in Things." -- Source of annotation: Marvin or Ruth Sackner.

This book is part of a trilogy that includes "To Believe in God" and "To Believe in Things." -- Source of annotation: Marvin or Ruth Sackner.

This book is part of a trilogy that includes "To Believe in God" and To Believe in Man." -- Source of annotation: Marvin or Ruth Sackner.

This drawing on irregularly shaped cardboard, consists of sections of multi-colored calligraphic texts, found, painted texts and handcolored images. -- Source of annotation: Marvin or Ruth Sackner.

Envelope addressed to Marvin Sackner included a letter as a response to a request by Sackner to examine samples of Fella's sketch books &/or drawings in order to decide upon purchase of such works by the Archive. These works by Fella, who is an acclaimed graphic designer, were published in a leading article of Eye magazine. Sackner read this article which prompted his letter to Fella expressing interest in acquiring samples of the works for the Archive. -- Source of annotation: Marvin or Ruth Sackner.

The image is an abstract brush stroked calligraphic mark. -- Source of annotation: Marvin or Ruth Sackner.

Published on the occasion of Joe Zucker's exhibition at Nolan/Eckman Gallery. -- Source of annotation: Marvin or Ruth Sackner.

Toge refers to the male protagonist in Phillips' book 'A Humument.' This is a two dimensional wall piece with letters formed from twisted copper rods that have been brazed together. The poem employs combinations of texts from the book. -- Source of annotation: Marvin or Ruth Sackner.

Toge refers to the male protagonist in Phillips' book 'A Humument.' This is a two dimensional wall piece with letters formed from twisted copper rods that have been brazed together. The poem employs combinations of texts from the book. -- Source of annotation: Marvin or Ruth Sackner.

The photograph by an unknown photographer on the verso of the drawing that depicts lightening strikes relates to Kosek's beliefs of predicting the weather. -- Source of annotation: Marvin or Ruth Sackner.