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This periodical was edited by Maarten Beks, Pierre Borgue, Nathaly Bouvy, Hans Brand, Jan Brand, Geurt van Dijk, Urias Noteboom, Wim Scheepens, and Hans Witte. -- Source of annotation: Marvin or Ruth Sackner.

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Each contributor submitted a self-portrait to this assembling. -- Source of annotation: Marvin or Ruth Sackner.

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Albert Dupont organized this book project for his son Ben's class. Each student, the teachers and Dupont contributed a line drawing portrait of themselves, designed so that each individual held the hand of the preceeding and following person. The title means "A Lot of Children." -- Source of annotation: Marvin or Ruth Sackner.

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This book constitutes the originals from the exhibition at Studio im Hochhaus, Berlin, 1995 of collaborations between Hartmut Andryczuk and other artists and poets carried out from 1993-1995. On the previously folded pages, the contribution of Andryzuk is adjacent to the collaborator. One page was initiated by Andryczuk, the other by the collaborator. The soft cover book (24/70) in an envelope on the inside of the back cover, documents and reproduces the contributions in black & white. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This unique book was shown at an exhibition at Galerie 13 in Hannover, Germany from January 19 - February 24, 1996. Indeed, a catalogue reproducing the works in this book is included in a folder within the book; a brochure announcing the exhibition is also included. The book is divided into five parts, three in the first part and two in the second part of the dos-a-dos design. The first part includes Andryczuk's "Cosmographic Poetry and Art." This consists of 18 pages of rubberstamped images like an accordion and a stylized sun figure with a single letter in colored ink alongside the image. In addition, there are four pages of rubberstamped bees and drawn ink and gold figures and letters on commercially printed material.The second section entitled, "Letters for myself" consists of 18 pages of airmail envelopes collaged onto a white page which has been rubberstamped, "KOPIA" at the top and 030495 at the bottom. The envelopes are rubberstamped with an image of a Scuba diver and a...

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The first 75 postcards are generally ones that Andryczuk addressed to himself; he titled them the "Lobo 1998" cards. Therafter, the project becomes collaborative with other poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work consists of a a painted box with two bookshelves and a horizontal compartment within its center divide. It houses 10 folders holding large, handmade postcards usually from thick cardboard or fragments of hard cover bookbindings. The hard cover book documents the project, annotates the postcards, and depicts photocopied colored reproductions of one side of all the postcards. The folders hold the original postcards No.1-166 between Freddy Flores Knistoff and Harmut Andryczuk, No.167-247 between Wolf Rosenthal and Harmut Andryczuk, No.248-276 between Harmut Andryczuk and Wolf Rosenthal, No.277-298 between Harmut Andryczuk and Pierre Garnier and between Pierre Garnier and Harmut Andryczuk, and No.299-339 between Harmut Andryczuk and Freddy Flores Knistoff. The writer is identified through a symbol assigned to each. Further, Wolf Rosenthal signature on his postcards often is "lobo." The content of several cards is political dealing with the conflict in Kosovo. The edition of...

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Lists the poets and artists who have participated in Deisler's assembling publication, Uni/vers(;) from 1987-1992 and reproduces representative works from the magazine. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of photocopied colored prints made by artists from Poland, Yugoslavia, Germany, Switzerland, and the United States that are held between sleeve pages. -- Source of annotation: Marvin or Ruth Sackner.

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This publication is a varient of an assembling - the book made by Landrum was passed around via mail to several poets and artists who added elements to it. They are not identified in this book. -- Source of annotation: Marvin or Ruth Sackner.

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This assembling was produced by compiling the "favorite visual poems" by the invited contributors. Each poem is accompanied by the poet's own explanations of the works on a facing page. -- Source of annotation: Marvin or Ruth Sackner.

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Each page has two images, the top one, a visual delight and the bottom one a visual disaster. For example, one page depicts at its top, torso of a female body builder and at the bottom a Picasso-like portrait. -- Source of annotation: Marvin or Ruth Sackner.

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Following an introductory essay in English by Karl Riha, the remainder of this book consists of reviews of PIPS in newspapers and magazines. In the introduction, Riha notes that "PIPS is a dialect word (used in Rhineland) for a head cold or disease afflicting chicken (symptom: inflamed coating of the tongue) or: a DADAIST fantasy word!!!!"In box labeled "Pips flat periodicals." -- Source of annotation: Marvin or Ruth Sackner.

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The title of this book in English is "Why Adolf Hitler has not become an Artist." Each of the contributing artists/poets answers this question with one or more drawings or poems. For example, Olbrich writes a sentence,"? -- It's a true story." Garnier provides three ink drawings of caricatures of Hitler that focus on his prominent facial features, his moustache and hair swept to one side. They are captioned, espressionismus, Hil Heitler, and entartete Kunst. -- Source of annotation: Marvin or Ruth Sackner.