This is a shipping tube that Sloy collaged with her drawings. -- Source of annotation: Marvin or Ruth Sackner.

The paper was made with notations, writings, and pictures from Johann Strauss' "Netopyr." -- Source of annotation: Marvin or Ruth Sackner.

The first Sackner catalogue photocopied from typed paper sheets (1980), according to Kocman as typed on the colophon "was torn in to small fragments and threse were crushed by grinding in water on mixer. From this pulp handmade paper sheets were made and from these sheets a new book was bound. -- Source of annotation: Marvin or Ruth Sackner.

Kocman made a diagonal cut across all the pages of a physics laboratory calalogue distributed by W. Hruby in 1913 (as on the cover). This book bears a relation to Buzz Spector's book object, "The Outline of Art" (1982) who tore each page at progrssively closer edges to the right hand border. -- Source of annotation: Marvin or Ruth Sackner.

Kocman made a diagonal cut across all the pages of a physics laboratory calalogue distributed by W. Hruby in 1913 (as on the cover). This book bears a relation to Buzz Spector's book object, "The Outline of Art" (1982) who tore each page at progrssively closer edges to the right hand border. -- Source of annotation: Marvin or Ruth Sackner.

Jod is an Albanian word for iodine. It was done in response to the exodus of Jews and Greeks from Albania. The word Jod is a play on the word Yod but mainly Hirschman states that he is experimenting with alphabetical and numerical forms related to the Kabbalah and thinking of Wally Berman. -- Source of annotation: Marvin or Ruth Sackner.

This is a profusely illustrated record of Hubaut's varied artistic output. Hubaut's painting "Cote Ouest" from 1983 depicted on page 144 is held by the Sackner Archive.It was exhibitied at the Bass Maueum in Miami Beach and at the Frost Museum in Miami in 2012. Hubaut contributed a page long interpretation of the painting. -- Source of annotation: Marvin or Ruth Sackner.

The text is written and drawn with colorful design elements. It reads, "Mange avec les doights. Bois avec le nez." The front cover is stamped with the words "nez" and includes a relief of a cardboard collaged nose. The rear cover is stamped with words "bouche" and contains a relief of cardboard collaged lips. The binding is by Knoderer and the drawings are by Pagiras. Book displayed in glass case and envelope in small objects box. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of Nagy's work. -- Source of annotation: Marvin or Ruth Sackner.

This is a visual chronicle of Wilner's trips from his house to his office (he is a practicing psychiatrist) on the New York subway. He draws portraits of his fellow passengers and records their conversations in cartoon bubbles as he evedrops on them. Running across the top of the drawings and meandering through some of the drawings are the names of the subway stops where the actions took place. He depicts a Rabbi with the Hebrew prayer Alenu making up his beard on one of the pages. -- Source of annotation: Marvin or Ruth Sackner.

In this book object, the artist utilizes a photographic schematic of a vertical section of the whole lung as a hat for a young woman. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition was tools. -- Source of annotation: Marvin or Ruth Sackner.