Artist book
Found in 2614 Collections and/or Records:
In Octavo: Barcelona Towers. No.9 / Luc Deleu., 1994
A draftsman's triangle is collaged to inner front cover of folder. -- Source of annotation: Marvin or Ruth Sackner.
In Octavo: Communiquer. No.4 / Marie Orensanz., 1994
In Octavo: Eque. No.2 / Wilfried Huet., 1994
In Octavo: For Rent. No.1 / Peter Downsbrough., 1994
In Octavo: Geometrie Variable. No.8 / Bernard Villers., 1994
A leaf is collaged to the inner back cover of the folder. -- Source of annotation: Marvin or Ruth Sackner.
In Octavo: Mes Cartes. No.6 / Gianni Bertini., 1994
The silkscreened print is collaged to inner front cover of the folder. -- Source of annotation: Marvin or Ruth Sackner.
In Octavo: Tian Aden. No.10 / Arthur Aeschbacher., 1994
In Parenthesis, 1992
The title is taken from a phrase in Samuel Beckett's play, Waiting for Godot. -- Source of annotation: Marvin or Ruth Sackner.
In Rapporto A, 1976
The calligraphy in this book is varied from page to page. -- Source of annotation: Marvin or Ruth Sackner.
In the Beginning Was the Word / Hamady W ; Dill L ; Dwyer N ; Fisher V ; Ruppersberg A ; Sackner MA ; Heft C ; Sackner RK., 1997
The citation of Walter Hamady indicates that his work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
In The Dark At Last / Lederman, Stephanie Brody., 1981
In The Dream Flash / Jack A. Hirschman., 1991
Consists of an identical book object entitled "Radiant Children" placed inside "In The Dream Flash." The poetryis based upon a child-like dream. -- Source of annotation: Marvin or Ruth Sackner.
Indian Rubba Ball / Jack A. Hirschman., 1990
The title os from a poem by Robert Louis Stevenson, "The Shadow," which the author's mother recited to him when he was a child. He states it was the earliest phrase that he associated with the "hypnotic sound" of poetry. -- Source of annotation: Marvin or Ruth Sackner.
Indian Rubba Ball / Jack A. Hirschman., 1990
The title is from a poem by Robert Louis Stevenson, "The Shadow", which the author's mother recited to him when he was a child. He states it was the earliest phrase that he associated with the "hypnotic sound" of poetry. -- Source of annotation: Marvin or Ruth Sackner.
Information Series One: Notes on Umpiring and Exercises (Extracts 1). Suppl.3., 1980
The texts is taken from a British Army book of standing orders for troops from the G.H,Q, Home Forces, 1943. The pages are rubberstamped from a single stamp in varying colors with images of an explosion. -- Source of annotation: Marvin or Ruth Sackner.
Information Series One: Notes on Umpiring and Exercises (Extracts 1). Suppl.3., 1980
The texts is taken from a British Army book of standing orders for troops from the G.H,Q, Home Forces, 1943. The pages are rubberstamped from a single stamp in varying colors with images of an explosion. -- Source of annotation: Marvin or Ruth Sackner.
Ininventabile: Romanzo Ipergrafico, 1990
Merante utilized a printed trade editioned booklet as the means for this artist book by writing on top of the printed text. In the first section, he left intact word clusters that relate to the Inistic art movement to which he belongs, e.g. ini, ange -- Source of annotation: Marvin or Ruth Sackner.
Inner Tent / Andi McGarry., 1997
The painted orange book is shaped like a tent. Six lines of handwritten poetry are pasted inside. The accordion booklet is painted with blue figures on a brown background and is attached to the inside center of the tent book. -- Source of annotation: Marvin or Ruth Sackner.
Innovation from Tradition in the Book Arts / Minsky, Richard; Ligorano N; Muriello B; Kyle H; Share S; Dubansky M., 1993
[Installation View of Angel of Poets] / de Charmoy, Cozette., 1990
The book with the same title is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.