Abstract markings
Found in 1067 Collections and/or Records:
Words As Visions: Logograms/Worte Als Visionen/Mots Comme Visions / Bing, Ilse., 1974
Works on Paper / El Hanani, Jacob., 1995
The drawings were geometric and abstract markings done in af micrographic style. An accompanying review from Art in America indicates that a drawing takes two to three months to complete. -- Source of annotation: Marvin or Ruth Sackner.
Worm World / Depew, Wally., 1990
wrecking ballzark, th: Card 24: A Poem. No.51/Jun / jw curry., 1983
Also designated Curvd H&Z no.208. Only 25 copies were actually produced due to the destruction of the rubberstamp utilized for production. -- Source of annotation: Marvin or Ruth Sackner.
Written on the Road / Stetser, Carol., 2010
Eight of the prints are titled Road/Asemic and are numbered 1 to 8. The images are of black asphalt road repairs. The folder also contains three prints titled East/West that are numbered 1 to 3. -- Source of annotation: Marvin or Ruth Sackner.
www / Radin, Betty., 1999
X + X + Chance Combination / Danon, Betty., 1986
The abstract calligraphic markings are composed with blue ink.This work was displayed in one of pete spence's 1999 mail art exhibitions. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Haptics: A Novel. No.54 / Stephen Vincent., 2013
Xerolage: Kern. No.52 / Derek Beaulieu., 2013
This book consists of reproductions of letraset collages. -- Source of annotation: Marvin or Ruth Sackner.
[Xerox Prints] / Cobbing, Bob., 1989
xtant. No.4 / Jim Leftwich, Tom Taylor, Tim Gaze, Andy Topel, Michael Peters, Scott MacLeod, editors ; Melnikov W ; Nastic T ; Todorovic M ; Segay S ; Nikonova R ; Ganick P ; Ferrini V ; Taylor T ; Peters M ; Dellafiora D ; Chirot D ; Beining G ; Luis C ; Dammann M ; Padin C ; Quarles L ; White D ; McNamara R ; Freeman Je ; Bertola C ; Priddle R ; Maggi R ; Sonnenfeld M ; Zilling B ; Burgaud C ; Ackerman A ; Helmes S ; Bennett JM ; Crouse J ; Gaze T ; Murphy S ; Selby S ; Strangulensis F ; Malok ; Eaton R ; Leftwich J ; MacLeod S ; Topel A ; Huth G ; Fierens L ; Vermuelen G ; Seifert J ; Pilcher BE ; Sourdin B ; Lehmus J ; Scott M ; St Thomasino G ; Dencker KP ; Kervinen JP ; Morrison M ; Dotremont C ; Arnaud P ; Brandt P ; Kendall J ; Bennett CM ; Dalachinsky S ; DeHay M ; Lambert JC ; Nakamura K ; Mallohan JM ; Bartl P ; Keckler WB., 2004
This issue depicts many contemporary concrete and visual poems as well as language poems and experimental fiction. Some of the works are collaborative. This anthology provides a fantastic review of contemporary experimental poetry and writing. -- Source of annotation: Marvin or Ruth Sackner.
Yes / Mason, Yvonne., 1983
Yibble yibble, nee nee nana nunu / Cobbing, Bob ; Upton, Lawrence., 1996
There are two copies of this book with the same titles but with different contents and covers - themes and variations are interchanged between Cobbing and Upton/ -- Source of annotation: Marvin or Ruth Sackner.
Yibble yibble, nee nee nana nunu / Upton, Lawrence ; Cobbing, Bob., 1996
There are two copies of this book with the same titles but with different contents and covers - themes and variations are interchanged between Cobbing and Upton. -- Source of annotation: Marvin or Ruth Sackner.
Ying Yang Cube / Mayer, Peter., 1968
The editioned Ying Yang Cube with typography by Alan Rickman and its printed flat sheet meant for cutting it its form are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Zen Concrete: a good or bad thing / levy, d.a.., 1967
This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.
Zen Concrete: Cambodian Buddha figures in bronze., 1967
This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.
Zen Concrete: CENTER, 1967
This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.
Zen Concrete: CR AP, 1967
This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.
Zen Concrete: DREAM YOGA TECHNIQUES, 1967
This is one of the 23 pieces in this suite of works. -- Source of annotation: Marvin or Ruth Sackner.