Designated Folders # 19. Images are taken from woodknots of pine. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts deeply colored black, green and blue abstract images. It was part of nine other prints by Fahlstrom that were published by multipla editions. The print is also depicted in an exhibition announcing Fahlstrom's The Complete Graphics held at the Arnold Herstand Gallery NYC in 1990. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

van essche made 10 sets of 10 abstract ink drawings that he placed in a heavy paper folder. This is a drawing from one of the sets. h neefs contributed a critical essay that was included in the folder as a mimeographed page. -- Source of annotation: Marvin or Ruth Sackner.

The maquette on which this multiple is based is also held by the Sackner Archive. This work, which was part of a portfolio entitled, "New York International" was assembled in a box designed by the Sackners. The hand painted stones in this multiple and the maquette differ. -- Source of annotation: Marvin or Ruth Sackner.

For a discussion of the graphic designer, Jochen Stankowski, see Baseline No.37. -- Source of annotation: Marvin or Ruth Sackner.

The cover collage is by R. Werner. The book reproduces letters from Lowell, a reproduction of a painting by d.a. levy and a reproduction of a visual poem collage by rjs. Selected content of the letters are annotated at the end of this book. -- Source of annotation: Marvin or Ruth Sackner.