Scope and Contents

Produced to coincide with the 3rd annual WHIPlash poetry festival in Ottawa. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book was first published in 40 copies in 2008. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents NYT Exhibition Review: Whatever the aesthetic merit of Gene Beery's Pop-Conceptual paintings, on view in this delightful miniretrospective, they are certainly funny. Since the early 60's, Mr. Beery has been making word paintings that look and read like signs you see in shop windows. What the words offer, however, are not commodities but mischievous, self-referential messages, like John Baldessari's but goofier. ''Invent your own art kit!'' blares the exuberant text of a 1968 spoof of Conceptualism called ''Be an Artist Tomorrow.'' ''No brains, technique, skill, imagination, etc. needed. Clever system makes everyone an old master in seconds.''In ''Essences Only,'' made this year, Mr. Beery used a thin brush to write in black with apparently casual haste on a white canvas, ''My life is now too short to spend much time on formal painting art concerns. I am simply recording essences.'' Just so.It is tempting to go on quoting other paintings, but it is worth noting, too, the paradoxical...

Scope and Contents

This pamphlet is based upon Paul Auster's novella, "Ghosts" which has characters named White, Black and Blue. Black lives on Orange Street. In the Beaulieu treatment of this work, only chromatic words are retained and the the rest are "cancelled" with non-printed, white space. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This pamphlet is based upon the original book that is held by the Sackner Archive, "Local Colour" which in turn derives from Paul Auster's novella, "Ghosts." The latter descibes characters named White, Black and Blue. Black lives on Orange Street. In the Beaulieu treatment of this work, only chromatic words are retained and the rest are "cancelled" with non-printed, white space. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Each page reproduces one of Beaulieu's letraset collages. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Each page reproduces one of Beaulieu's letraset collages. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This publication depicts Beaulieu's letraset collages including Untitled (2010), a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.