This catalogue consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

And designates his own poetry as Hyper Zaum. -- Source of annotation: Marvin or Ruth Sackner.

This is a slightly larger version of the book published originally by Xexoxial Editions in 1987. -- Source of annotation: Marvin or Ruth Sackner.

The font of the letters on the pages has been taken from game of Scrabble. The cover is labeled in crayon as Silkscreen by Miekel And. -- Source of annotation: Marvin or Ruth Sackner.

This review of the exhibition "Carl Andre: Sculpture as Place, 1958- 2010" at Dia: Beacon is by Holland Cotter. It describes how "Writing poetry was Mr. Andre's initial calling...Even if he had not gone on to art, the poetry would be of interest. And in it, the sculptor-to-be is already evident. Mr. Andre has referred to his poems as 'typewriter drawings' and, in the spirit of Concrete poetry, their shape on the page is crucial to their effect." -- Source of annotation: Marvin or Ruth Sackner.

The title could also be read in the longer form: Quelques-uns des mots qui jusqu'ici m'étaient mystérieusement interdits.

This is a collection of concrete poems that are printed one to a page. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published as reprint of the original 1973 book and consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.