Ant Farm (“an experimental design team developing art and architecture”) was a pioneering group of culture jammers whose performance art work, Media Burn (1975), helped catalyze my theorization of culture jamming. I describe that piece in the opening paragraph of my pamphlet on CJ.

File contains correspondence with Antfarm co-founder Doug Michels, Michels’s CV, articles on Michels and Ant Farm as well as Michels’s other conceptual-art projects, some of which share with Ant Farm’s activities a spirit of sociopolitical satire; materials related to Ant Farm co-founder Chip Lord;
and, in mailing envelope, postcards documenting video works and performance pieces by Chip Lord (and Mickey McGowan; “Easy Living”), Ant Farm (“The Cadillac Ranch,” “Media Burn”), and Lord, Michels, and Hudson Marquez [“S.T.P. (Save the Planets”)].