Kentridge, William, 1955-
Person
Dates
- Existence: 1955-04-28-
Found in 2 Collections and/or Records:
Five Themes / Kentridge, William ; Miller A., 2009
Item
Identifier: CC-50536-71608
Scope and Contents
With a searing body of work ranging from films and drawings to print, sculptures, and theatrical productions, William Kentridge has offered a fresh and distinctive perspective on the contemporary social landscape, with a particular emphasis on his native South Africa. His practice of the past two decades is based on his intensive exploration of themes that are evocative of his own life experience as well as the political issues that most concern him. Produced in close collaboration with the artist, this catalogue investigates the five primary themes that have engaged Kentridge over the course of his influencial career: 1. Parcours d'Atelier: Artist in the Studio 2.Thick Time: Soho and Felix 3.Occasional and Residual Hope: Ubu and the Procession 4.Sarastro and the Master's Voice: The Magic Flute 5.Learning from the Absurd: The Nose Rich in content and illustrations, the publication bears witness to an artist wrestling with each theme and experimenting with formally innovative ways...
Dates:
2009
Waldsee, 1944 / Kruger L ; Borocz A ; Kentridge W ; Nicastri J ; Silverberg RA ; Wurth A ; Appelbroog I ; Avadenka L ; Chicago J ; Logemann J ; Podwal M., 2005
Item
Identifier: CC-52415-73540
Scope and Contents
This exhibition was co-curated by Alma on Dobbin (N.Y.) and Laura Kruger. The exhibition was done in tribute to 600,000 Hungarian Jews who perished in the Holocaust. Waldsee was a deception by the Nazis as a ficticious place from where postcards of lies describing their happiness as dictated by the Nazis were sent to other Jews but in reality were written before being killed in the gas chambers of Auschwitz. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2005
Filtered By
- Subject: Political poetry X
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- Visual poetry 1