Gorman, LeRoy, 1949-

About the PM/TV / Gorman, Leroy., 1986

Item

Identifier: CC-10166-10367

Scope and Contents

This card is stored in LeRoy Gorman box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Along A Visual Continuum: Parts 1-7 / Gorman, Leroy; Swede G; Roseliep R; Houedard DS; Nichol bp., 1987

Item

Identifier: CC-31507-32999

Scope and Contents

Gorman lucidly interpretes several concrete poems in a comparison to Haiku poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Anonymous Us. No.15/May / Gorman L., 1990

Item

Identifier: CC-24531-24984

Scope and Contents

Edited by Leroy Gorman, this periodical contains poems written by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Anonymous Us. No.17/June / Gorman L., 1993

Item

Identifier: CC-26679-27149

Scope and Contents

Edited by LeRoy Gorman, this periodical contains poems by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Anonymous Us. No.18/June / Gorman L., 1994

Item

Identifier: CC-26843-27313

Scope and Contents

Edited by LeRoy Gorman, this periodical contains poems by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Anonymous Us. No.19/June / Gorman L., 1995

Item

Identifier: CC-26845-27315

Scope and Contents

Edited by LeRoy Gorman, this periodical contains poems by grade school students. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Anonymous Us. No.20/Apr / Gorman L., 1996

Item

Identifier: CC-29082-30425

Scope and Contents

Edited by LeRoy Gorman, this periodical contains poems by grade school students. The theme of this issue is Sherlock Holmes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Botanica / Gorman, LeRoy., 1999

Item

Identifier: CC-32926-34542

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

eyeku for Matsuo Basho / Gorman, LeRoy., 2000

Item

Identifier: CC-36514-38315

Scope and Contents

Gorman renders Basho's Frog Pond Plop into a more visual presentation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Fingermail: Adjust Cause. No.15/Sep / LeRoy Gorman., 1993

Item

Identifier: CC-11110-11325

Dates: 1993

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Fingerprinting Inkoperated / Lopes, Damian, editor ; Bradley Df ; UU D ; curry jw ; lopes d ; Gorman L ; Beining G ; Bertola C ; Hood W ; j(o(h)n)ston b., 1991

Item

Identifier: CC-07126-7266

Scope and Contents

Greg Evason made cover drawing. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

Flurries / Gorman, LeRoy., 1999

Item

Identifier: CC-33746-35409

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Glass Bell / Gorman, LeRoy., 1991

Item

Identifier: CC-10334-10537

Scope and Contents

Also designated as the first title in the Hexagram Series, edited by Marco Fraticelli. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Housepress Openpalm: bird studies. No.8 / LeRoy Gorman., 2000

Item

Identifier: CC-36507-38308

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Idioms of 'Krete: Selections of idiomorphic concrete poetry, 2000

Item

Identifier: CC-46317-49040

Scope and Contents

One poem is printed on each of the pages except for a few pages with brief commentary.The following text is printed on the back cover. "Literature is the only artform whose organon is already symbolic. Concrete poetry has always been devoted to the breakdown of the assumed symbolism, either to reform a new one or to celebrate raw, lingual materiality for its own sake. While one branch seeks a new understanding of what was always there through this breakdown - most evident in 'found poetry' - and this is called the 'collective branch'; the other, the ideomorphic, seeks to forever push the process into fresh and singular dislocation. Here are three poets with the latter propensity: Haiku-focused LeRoy Gorman with his constuctivist tendencies, the more sculptural Daniel f. Bradley, minimalist panache in tow and cheek and the graphically ham-fisted Marshall Hryciuk, who feels positively didactic next to the other two." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000