This essay was #65 in the magazine's "Maintenant" series. -- Source of annotation: Marvin or Ruth Sackner.

Spence describes meeting several German and American mail artists in Germany. Mentions that the Australian networkers might appear in a book by Klaus Peter Dencker in a German edition and perhaps in an Engish edition published by Thames and Hudson. -- Source of annotation: Marvin or Ruth Sackner.

Gaze explains in his introduction that his texts are improvised asemic texts which means no semantic content. Composed of writings from other languages and made up works by the artist, they incorporate writing and an infra-verbal level. Gaze notes that asemic texts have no writer-intended meaning. "If you the viewer perceive a meaning, you've created that meaning yourself." -- Source of annotation: Marvin or Ruth Sackner.

Artists response to Gaze's work is published as part of "A Symposium Emerging from Tim Gaze" is added as an afterward. It was organized by JIm Leftwich and probably wholly written by Leftwich for the "Institute for Study and Application at Kohoutenberg." -- Source of annotation: Marvin or Ruth Sackner.