The case is fitted with four compartments arranged vertically such that top has images of the head, the next down, images of the chest, the next down, images of the abdomen and upper thighs, and the bottom, the lower extremities. The prints can be rearranged in their compartments to form an infinite variety of body views. The project was initiated by Silver Buckle Press through a request to 33 small presses to submit a print based upon one of the aforementioned body parts. -- Source of annotation: Marvin or Ruth Sackner.

The material for each print in the book or project is stored in individual folders or envelopes. Material is also included that was not utilized in the final version of the book. For example, in the print, On the Corner..., the typed poem was considered but rejected, e.g., die neue SS: Lightening bilts shaved in - black on black - in the Razored and Jerrocombed hair - in the Razored and Jerrocombed hair. The title page content and layout changed considerably over the five years it took to produce the book. A section contains poems that were not used in the final version of this book. The Sackners provided financial support for this project. -- Source of annotation: Marvin or Ruth Sackner.

Gallo exactly reproduced the title page, table of contents, and page numbers of an original book by Paul Eipper. He then removed all else except the captions that once accompanied the photographs of wild animals. -- Source of annotation: Marvin or Ruth Sackner.

In the colophon, Gallo mentions that the production of this book was made possible in part due to a grant from the Sackner Archive. The binding was done by Daniel Kelm. Each page has a single poem that was printed letterpress or from plates generated thru Alphatype or Postscript applications. The Archive for this book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

These are the first proof pages of book which was underwritten by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The bookbinding was done by Daniel E. Kelm and the printing by Philip Gallo. -- Source of annotation: Marvin or Ruth Sackner.