This portfolio depicts one work from each of the members of the group. The contribution of Paul de Vree was original but posthumous. One drawing is unsigned and might have been done by Blaine. The painting by Verdi is abstract in imagery. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was issued for a two month celebration of Italian art and culture in John Wanamaker's department store in Philadelphia, the sister city of Florence. A series of exhibitions were also held in the Sala d'Arme of Palazzo Vecchio. The exhibition was divided into the following sections: classical abstractions, icons, visual poems, surrealism and figurative art. -- Source of annotation: Marvin or Ruth Sackner.

Eugenio Miccini contributed an essay,"Mantova e la Poesia Visiva." -- Source of annotation: Marvin or Ruth Sackner.

Each poem is written in English and Greek. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features documents of the avant-garde. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This book was published in an edition of 20 copies with almost identical content. The differences relate to minor use of newspaper clippings and offset photographs from periodicals in the collage material. Further, since the collage material was glued onto the pages, an imprecise process, all of the books are slightly different. -- Source of annotation: Marvin or Ruth Sackner.

This book was published in an edition of 15 copies with almost identical content. The differences relate to minor use of newspaper clippings and offset photographs from periodicals in the collage material. Further, since the collage material was glued onto the pages, an imprecise process, all of the books are slightly different. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition that was curated by Lucilla Sacca is subtitled "Firenze: Storia di una Rivoluzione Colta (1960-1980). In Ori's biography, it is mentioned that the Sackner Archive holds his works. The works in the exhibition catalogue are extensively annotated by the curator. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this booklet is imagined badges and medals with each page reproducing an example. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The collages, reproduced in black & white, on pages 33, (Viaggio Tia Le Nivole), 86 (La Societa Anestetica), and 89 (Alfabeto) are held by Sackner Archive. On an opposite facing page, the verbal content of the visual poem is printed alone.. -- Source of annotation: Marvin or Ruth Sackner.

The photographs depict a standing nude woman in different poses. The photographs, print, and collages were done by Miccini and the conventional poems by Pignotti. -- Source of annotation: Marvin or Ruth Sackner.

This book prints the original Italian text and the English translation. It provides definitions of concrete and visual poetry from different perspectives of the contributing poets and includes section that illustrates examples of their poems. With time, the pages have become detached from the binding but are in excellent condition. Owing to this situation, the book is stored within a clamshell box on the reference shelf. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book consist of the text of the visual poem on the left laid out as a conventional poem and its corresponding visual poem is depicted on the right sided page. -- Source of annotation: Marvin or Ruth Sackner.

Although 15 issues of this series were listed, it appears that only six were published. The Sackner Archive holds all six issues. -- Source of annotation: Marvin or Ruth Sackner.