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Edited by Luciano Caruso and Sonia Puccetti. The sound poem accompanying the collage was composed by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

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Each page depicts a photographic reproduction of a box construction by Miccini. Three, held by the Sackner Archive, are depicted, viz., La Poesia Entre Nella Vita, Ex Libris and Museo, are held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This book reproduces 297 visual poems from 1962-2005. None of the Sackner Archive's large collage, visual poems are depicted. Photographs of all the multiple editions of artist books and objects held by the Sackner Archive are reproduced in this volume. -- Source of annotation: Marvin or Ruth Sackner.

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About one half of the book deals with artists working in a constructivistic manner and the other half with concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

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This program of year long exhibitions was curated by Michele Lambo. This exhibition also depicted Apolloni's book objects like the one held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The two copies of this piece are identical except for different colored paper stock onto which the poems were printed. The original pieces came in a stapled plastic bag that deteriorated with time.Wikipedia: Eugenio Miccini (1925 in Florence "“ 2007 in Florence) is considered to be one of the fathers of Italian visual poetry. Graduated in Pedagogy, in 1963 he founded together with poets, musicians and painters Gruppo '70, creating the Italian term "poesia visiva" (visual poetry). Visual poetry is an art research characterized by predominance of the image on the typographical text, aimed to obtain compositions where words and images, signs and figures, are integrated without solution of continuity on the semantic plane (Dizionario della lingua italiana Devoto-Oli, Le Monnier). In Italy the Sixties have been rich of activities of Gruppo 70, starting from two meetings organized in Florence in 1963, focusing on "Art and Communication" and in 1964 "Arte and Technology", where discussion...

Scope and Contents The two copies of this piece are identical except for different colored paper stock onto which the poems were printed. The original pieces came in a stapled plastic bag that deteriorated with time.Wikipedia: Eugenio Miccini (1925 in Florence "“ 2007 in Florence) is considered to be one of the fathers of Italian visual poetry. Graduated in Pedagogy, in 1963 he founded together with poets, musicians and painters Gruppo '70, creating the Italian term "poesia visiva" (visual poetry). Visual poetry is an art research characterized by predominance of the image on the typographical text, aimed to obtain compositions where words and images, signs and figures, are integrated without solution of continuity on the semantic plane (Dizionario della lingua italiana Devoto-Oli, Le Monnier). In Italy the Sixties have been rich of activities of Gruppo 70, starting from two meetings organized in Florence in 1963, focusing on "Art and Communication" and in 1964 "Arte and Technology", where discussion...

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A photographic reproduction of this work is depicted in Miccini's "Caro Oggetto," a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The article features a photo-portrait of Miccini and reproductions of several of his works. He is described as a "poeta dei segni." -- Source of annotation: Marvin or Ruth Sackner.

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Includes a 24 page section entitled "Antologia Di Poesia Visiva" that cionists of several critical texts and 49 illustrations printed in B&W of visual poems. The usual proponents are depicted as a well as a large number of poets not ususall cited. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was intended to provide an overview of poesia visiva in Italy 1960-1990. -- Source of annotation: Marvin or Ruth Sackner.

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This portfolio depicts one work from each of the members of the group. The contribution of Paul de Vree was original but posthumous. One drawing is unsigned and might have been done by Blaine. The painting by Verdi is abstract in imagery. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Eugenio Miccini contributed an essay,"Mantova e la Poesia Visiva." -- Source of annotation: Marvin or Ruth Sackner.