Scope and Contents

Mike Rose is the only German Lettrist. Gomringer provided a critical essay of Rose's work. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Mike Rose is the only German Lettrist. Gomringer provided a critical essay of Rose's work. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A typing entitled "Metacubus" 1977/1983 that is reproduced in this book is held by the Sackner Archive in its original form (1977). Presumably, Basset retyped this work from a photograph. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Gomringer contributed a critical essay "Drawing as Reflected Identity." Nussbaumer wrote "The Notion of the Gaze: The Athletic Configuration of Drawing and Painting." Koreny's essay is titled "Drawing and Prints." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Auction catalog. Includes a section on artist books from the former East Germany. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The photogaphs are profiles in solid black and white of political figures. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Offers the limited edition copy of William T. Vollman's "Convict Bird," the author's rarest item, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Eugen Gomringer contributes an essay "Aspects of a Gesamtkunstwerk: Vera Rohm's oeuvre in Time and Space" Stephen Bann's essay is titled "Erganzung: Integration." He writes the following. Visiting Vera Rohm's studios in Darmstadt a few days prior to a lecturing engagement in Brighton set off a series of conjunctions and coincidences in my mind. It was in the centre of Brighton that I had organized a Concrete Poetry Exhibition to coincide with the first Brighton Festival in April 1967. Brighton Square, in the middle of the Lanes, had its perky modern architecture offset by two typographical installations involving Perspex screens and constructions, the first being a communal project on the 'five vowels' produced by the students of Bath Academy of Art under the direction of John Furnival, and the second a set of 'typographical columns' by the German Hansjorg Mayer. In the spaces around the Royal Pavilion, banners designed by the typographer Edward Wright displayed Concrete poems by...