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Consists of the hand-outs given to all the participants attending this conference. Marvin Sackner delivered a paper, "The Collector as a Performer" and Ruth Sackner delivered a paper, "The Collector as Mother." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Sackner Archive lent Houedard typewriter poems for reproduction in this book.AMAZON.COM: "Lori Emerson examines how interfaces"”from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes"”mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user...

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Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

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This is a catalogue of the complete works of Reflection Press founded and owned by Albrecht d. It has two page sizes that are interleaved thereby accounting for its unconventional shape. One size page is 28 x 10.8 cm, the other 21.1 x 21.6 cm. Leiber presents the total collection for sale as well as selected items. -- Source of annotation: Marvin or Ruth Sackner.

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This paper is a well researched survey of concrete and visual poetry done by an undergraduate student. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue lists publications of Filliou as well as individual and group exhibitions. -- Source of annotation: Marvin or Ruth Sackner.

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This is an exhibition catalogue documenting a Fluxus Stamps exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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This issue carries an interview with Jean-Jacque Lebel on the history of Happenings. -- Source of annotation: Marvin or Ruth Sackner.

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Written between 1981 and 1983 in Berlin and Barrytown, New York. -- Source of annotation: Marvin or Ruth Sackner.

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The text begins, "OMBWHNW ($5.95) is enigmatic like the title. It's 'bound like a prayer book.'" The book that it cites is Foew&ombwhnw published by Something Else Press in 1969. It is not known whether this print was ever editioned or the size of the edition. -- Source of annotation: Marvin or Ruth Sackner.

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Press release (loose sheet) mentions that Friedman's work is held by the Sackners. The drawings were made for Higgins' "The Epickall Quest of the Brothers Dichtung and other Outrages." -- Source of annotation: Marvin or Ruth Sackner.

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These collages were made from artists/poets' correspondence to Llys Dana. They are captioned from cut newsprint letters. -- Source of annotation: Marvin or Ruth Sackner.

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This is an unpublished essay dealing with Copithorne's personal involvement in visual poetry -- Source of annotation: Marvin or Ruth Sackner.

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There were 500 hard back cover copies and 750 sof back covers printed. Frank mentions that Dick Higgins destroyed most of the copies of the American run of Peter Finch's " Typewriter Poems" because he had not been informed that the anthology was entirely British. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition consisted of all the Something Else Press publications. -- Source of annotation: Marvin or Ruth Sackner.

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This book reproduces a postcard correspondence in poetry between Braman and Dutton. -- Source of annotation: Marvin or Ruth Sackner.