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The Sackner Archive is listed as resource of Artists' Books Collections. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This publication was produced as a reference for an exhibition on artist books held at the Nigel Greenwood Gallery. In an introductory essay, Celant analyzes the artist book through the movements of conceptual art, happenings, arte povera, minimal art, and lays particular emphasis on the bookworks of Joseph Kosuth. 6 Decades Books: "Book as Artwork 1960/1972 was the first catalogue devoted to the then new medium of the artist's book and it remains a canonical reference (though one that, due to its scarcity, is not as well known as it should be). This publication started as an article and a list of about 80 artists' books which appeared in 1970 in the first issue of the Italian magazine Arte. Not long after it was translated and published in Interfunktionen. Then in 1972 the Nigel Greenwood Gallery in London mounted an exhibition of artists' books and issued a catalogue with an updated text by Celant and a greatly expanded bibliography (now nearly 300 titles) jointly compiled by...

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In his introduction, Eric Mottram writes that "Voice Prints is for voice performance, and looking or meditating performance...[The] poem-texts or poem-images continue Bob Cobbings's experimental achievements with many uses of words, word-orders and word designs." -- Source of annotation: Marvin or Ruth Sackner.

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This is a collection of previously published essays. -- Source of annotation: Marvin or Ruth Sackner.

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Johanna Drucker contributes an introductory essay on historic aspects of visual poetry which is carried forth to multimedia information systems of today. She also was responsible for the cover design. Karl Young contributes an afterword in which he focuses on mail art. He particularly addresses his own, ongoing Shadow Project that refers to the faint traces people left on nearby surfaces after they were vaporized by the atomic bombs in Japan. Young indicates that d.a. levy stands out as the major figure in the last three decades who left an indelible inprint on underground publications and visual poetry. He also adds that Tom Phillips is the most complete book artist. The Sackner Archive partially funded this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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The editors state in this first issue of The Difficulties that they "are starting a new journal of the arts which is to be devoted to process-oriented, language-centered work." The title is derived from a quote of Charles Olson. -- Source of annotation: Marvin or Ruth Sackner.

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The author analyzes English Renaissance pattern poetry from George Herbert, Robert Herrick, Richard Willis and its relationship to the classical shaped poetry, Christian models, and emblem forms. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was curated by Clive Phillpot and Jon Hendricks. -- Source of annotation: Marvin or Ruth Sackner.

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Revich contributes a simple "elevator" description of Fluxus. -- Source of annotation: Marvin or Ruth Sackner.

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In the introduction, Saiber describes Bruno as a 16th century polymath who was a philosopher, poet, playwright, mnemonist and magus but at his core an architect of ideas. Saiber further adds that "Many among the educated class familiar with esoteric learning, like Bruno, looked to locate and empower themselves through spacial manipulation and symbloic permutation, such as memory theaters. encyclopedias, kabbalah, natural magic, alchemy, and searches for the 'perfect language.' Bruno's writing indeed contains verbal patterns that signal an unusual sensibility to the shape of of space - whether of the heavens, between people, on a page, or of one's mind." -- Source of annotation: Marvin or Ruth Sackner.

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Dick Higgins, in his introduction, describes Porter as a "one-man art and technology movement...a brilliantly inventive but uncrackable Maine hickory nut." This book relates to the period when Porter left for Australia and supposedly sums up all his knowledge as a physicist, poet, publisher, sculptor, illustrator, and humorist. Bern Porter was born February 14, 1911 and died June 7, 2004. -- Source of annotation: Marvin or Ruth Sackner.

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This is an essay written for an exhibition of Ken Friedman's illustrations of two books, viz., Ernest Robson's "Thomas Onetwo" and Dick Higgins' "The Epickall Quest of the Brothers Dichtung." Stored with Ken Friedman material. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue consists of French art/poetry lent by the Sackner Archive to a Bass museum exhibition on Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.